Official Release #107. Uncle Meat gets the deluxe treatment in this three CD Project/Object Audio Documentary. Included is the original 1969 vinyl mix (restored, remastered and available digitally for the first time), an original sequence that includes unique source material and bonus vault tracks mostly compiled from the recording sessions at Apostolic Studios in NYC between 1967 and 1969.
Vibraphonist Cal Tjader is in typically fine form on this live set from 1968. His quintet at the time featured Armand Perazza on congas and pianist Joe Kloess and his repertoire ranged from Afro-Cuban jazz to occasional straightahead tunes. Six of the eight selections on this date are originals by band members or Gary McFarland. Although Tjader had been playing this style of music for 15 years by this time, he still was quite creative and enthusiastic, and is heard throughout in excellent form.
The '70s gave us a slew of classic hard rock albums – the likes of which may never be equaled – and though it hasn't had the lasting influence of, say, Boston's or Ted Nugent's first albums, Montrose's eponymous debut proved equally influential and important in its day. Released in 1973, the record also introduced a young Sammy Hagar to the world, but the explosive aggression of Ronnie Montrose's biting guitar left no doubt as to why it was his name gracing the cover…
When he recorded this album, his lone date as a leader, trumpeter Tommy Turrentine (who was a member of Max Roach's group along with his brother, the soon-to-be famous tenor Stanley Turrentine) seemed to have a potentially great future. Unfortunately, ill health would eventually force his retirement. Turrentine's set for Time (which has been reissued on CD by Bainbridge) actually features the musicians of Roach's quintet (including brother Stanley, trombonist Julian Priester, bassist Bob Boswell, and Roach himself) plus pianist Horace Parlan. The trumpeter contributed five of the seven songs (which are joined by Horace Parlan's "Blues for J.P." and Bud Powell's "Webb City") on this fine straight-ahead hard bop set. All of the musicians play up to par and the results are swinging and fit securely into the modern mainstream of the time.