Not many records can be pinpointed as genuine historical turning points, but La Leyenda Del Tiempo is a bona fide before/after landmark in the flamenco world. El Camarón de la Isla, almost universally regarded as the greatest flamenco singer of all time, put aside his classic partnership with Paco de Lucía to record with different musicians and incorporate rock and jazz elements on an album often called the Sgt. Pepper's of flamenco. It was a radical, daring step by a singer in his late twenties who opened the door for a whole wave of musicians and bands who are still major figures in Spanish music. It cemented the legend of El Camarón de la Isla as a towering creative force who, much like Bob Marley in reggae, brought flamenco into the present without losing the essence of the root tradition.
Journey to the Centre of the Earth is the second solo album from the English keyboardist Rick Wakeman, released on 3 May 1974 by A&M Records. The album is a live recording of his second of two concerts on 18 January 1974 at the Royal Festival Hall in London. With its concept based on Jules Verne's science fiction novel of the same name, the album tells the story of Professor Lidenbrok, his nephew Axel, and their guide Hans, who follow a passage to the Earth's centre originally discovered by Arne Saknussemm, an Icelandic alchemist. Wakeman performs with the London Symphony Orchestra, the English Chamber Choir, and a group of hand-picked musicians for his rock band, which later became the English Rock Ensemble.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. George Adams and Don Pullen knock it out of the park on this one – finding great company in each other's presence, and really moving things forward in the process! The set begins with a long track titled "Mingus Metamorphosis", and that really sums up the spirit of the record – an 80s reworking of all the ideas that the players had learned from Mingus, but with an individual, personal sense that's all their own – and very different than some of the more standard modes of the Mingus Dynasty group that continued the legacy in a more direct manner. Adams is bold one minute, lyrical the next – and plays both tenor and flute – alongside Pullen on piano, Cameron Brown on bass, and Dannie Richmond on drums.