Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Essential: A masterpiece of psych-rock music collection.
Vanilla Fudge are a pioneering psychedelic band with a superb lineup and are famous for psyching up well known cover versions. Their debut albums features some of their best and most popular material such as the stunning' You Keep Me Hanging On', 'Eleanor Rigby' and 'She's Not There'.
Features 24 bit digital remastering. Comes with a description. A firey stormer from the great Slide Hampton! The album's one of his few early sides for Atlantic – and like the others, it's a groundbreaking batch of larger group material, with slide out front on trombone, and the rest of the ensemble vamping along like a tight Blue Note combo. Players are excellent – and include George Coleman on tenor, Horace Parlan on piano, Hobart Dotson on trumpet, and Ray Barretto on drums – and Slide makes them come together so tightly, you'd think they were working together every night of the week! Titles include "The Barbarians", "Strollin", "The Jazz Twist", "Red Top", "Slide Slid", and "Day In Day Out".
Cat Stevens virtually disappeared from the British pop scene in 1968, at the age of 20, after a meteoric start to his career. He had contracted tuberculosis and spent a year recovering, from both his illness and the strain of being a teenage pop star, before returning to action in the spring of 1970 — as a very different 22-year-old — with Mona Bone Jakon.
Essential: a masterpiece of progressive rock music
After the lacklustre Unfortunate Cup of Tea, the next album was going to be a watershed for Horslips. In the end, they returned broadly to the formula that had brought them so much acclaim for The Tain and produced a concept album based on Irish mythology and full of great songs based on Irish traditional tunes. And it works just as well as The Tain, having brought them enormous critical acclaim. If anything, they show their amazing musicianship off even more, with Charles O’Connor’s fiddle and mandolin swopping riffs with Johnny Fean’s scything lead guitar and Jim Lockhart’s flute,whistle, pipes and keyboards.
In retrospect, it is not hard to find hints of a coming change in the final album Cat Stevens made before a near-death experience and a religious conversion.
A great album recorded in 1963 for Atlantic – one of our favorite ever! Jack Wilson's one of our favorite piano players, and we rave about him all the time on these pages – and one of the reasons why we love him so much is that he was often accompanied by Roy Ayers, who started out his career playing vibes in his group! The pair together are a dream, and this album is arguably their best effort – filled with moody modal cuts, and lots of lyrical interplay that hits these beautiful high points, then dives into pits of darkness. Titles include "Harbor Freeway", "De Critifeux", "Corcovado", "Jackleg", and "Nirvana & Dana".
Guitarist Gabor Szabo's debut as a leader (after an important stint with the Chico Hamilton Quintet) is surprisingly successful. The reason this LP is a bit of a surprise is that the repertoire (in addition to two originals apiece by the leader and Gary McFarland) has a few unlikely songs by the Beatles ("Yesterday" and "If I Fell") and Burt Bacharach (including "Walk On By"). Usually jazz adaptations of rock songs in the 1960s are lightweight, but Szabo's original sound, the unusual instrumentation (two or three guitars, Sadao Watanabe on flute, Gary McFarland on marimba, bass, drums and percussion) and McFarland's clever arrangements uplift the music. The playing time at 35 minutes is a bit brief, but the performances are better than expected.
Features 24 bit remastering and comes with a mini-description. The 1960's represented a very interesting time for musicians of all genres; three particular reasons began a trend for future generations of musical artists. The Beach Boys, The Beatles, and The Rolling Stones were the 3 reasons which permanently altered the musical landscape and basically made it impossible for stars of the past to remain economically viable in the present. The only 2 exceptions to the rule of course were Mel Tormé and Frank Sinatra.