24bit Coleman

Ornette Coleman - The Empty Foxhole (1966) {Blue Note Japan SHM-CD UCCQ-5121 rel 2015} (24-192 remaster)

Ornette Coleman - The Empty Foxhole (1966) {Blue Note Japan SHM-CD UCCQ-5121 rel 2015} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 249 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 600 dpi (png) -> 167 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1966, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5121
Jazz / Post Bop / Avant-Garde Jazz / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from Charlie Haden on bass, able to match Coleman's energy with effortless ease, and really getting a lot of room to leave his mark on the music – plus the very young (10!) Denardo Coleman, who plays drums here with this stark, simple style that's not only completely unique, but which also leaves a lot of open room left for Haden and Ornette to really stretch out. Ornette plays his usual alto, plus trumpet and violin – and titles include "Good Old Days", "The Empty Foxhole", "Zig Zag", and "Freeway Express".
Jackie McLean - One Step Beyond (1963/2014) [Official Digital Download 24bit/192kHz]

Jackie McLean - One Step Beyond (1963/2014)
FLAC (tracks) 24 bit/192 kHz | Time - 37:21 minutes | 1,54 GB
Studio Master, Official Digital Download | Artwork: Front cover

"One Step Beyond" was recorded and released in 1963, and features Jackie McLean as a bandleader and alto sax player. It hints at his future movement towards "new jazz", but is still firmly rooted in hard bop.

Deborah Coleman - Takin' A Stand (1994)  Music

Posted by Designol at May 9, 2018
Deborah Coleman - Takin' A Stand (1994)

Deborah Coleman - Takin' A Stand (1994)
XLD | FLAC | Image (Cue&Log) ~ 280 Mb | Mp3 (CBR320) ~ 104 Mb | Scans ~ 96 Mb
Modern Electric Blues | Label: New Moon Music | # NMC 9406 | Time: 00:45:07

Deborah Coleman's 1994 debut is an extremely hard to find CD as it was done for small label. For fans of Coleman, it is worth seeking out though. Her style at this time not yet fully formed, there's a lot of worthwhile music here with most of it written by Coleman.She would go on to top this effort, without question. However, even a Deborah Coleman still learning the ropes is much better than just about every other artist. Fans will love this.
Ornette Coleman - Skies Of America (1972) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4042}

Ornette Coleman - Skies Of America (1972) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4042}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 234 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 600 dpi (png) -> 156 Mb | 5% repair rar
© 1972, 2014 Columbia / Sony Music Japan | SICP 4042
Jazz / Avant-Garde Jazz / Contemporary Jazz / Saxophone

Reissue with the latest remastering. Comes with liner notes. A brilliant large ensemble work from Ornette Coleman – ambitious material recorded with full orchestra, in a haunting sound that's light years from any of his smaller group recordings of the 60s and 70s! There's an incredible feel to the strings used here – played by the London Symphony Orchestra, conducted by David Measham – all tied up and dark, with swirling sounds that run up beautifully from the bottom, then take off to the skies promised in the title – opening the door for Ornette to come in and solo freely over the top – in a magical mix that easily makes the record a standout in his long and mighty career!
Earl Coleman - Earl Coleman Returns (1956) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5245}

Earl Coleman - Earl Coleman Returns (1956) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5245}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 197 Mb | MP3 @320 -> 139 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1956, 2013 Prestige / Concord / Universal Japan | UCCO-5245 | Mono | PRLP 7045
Jazz / Vocal Jazz / Standards

Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Possibly the strongest album ever recorded by mellow-voiced jazz vocalist Earl Coleman – a singer with a deeper style that's very much in the classic Billy Eckstine mode, but which swings a bit more freely in a small combo! The set's got a nicely open style – with longer tracks than usual for a jazz vocal date, and lots of room for jazz soloists that include Art Farmer on trumpet, Gigi Gryce on alto, and Hank Jones on piano.
Ornette Coleman - New York Is Now! (1968) {Blue Note Japan SHM-CD TYCJ-81060 rel 2014} (24-192 remaster)

Ornette Coleman - New York Is Now! (1968) {Blue Note Japan SHM-CD TYCJ-81060 rel 2014} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 290 Mb | MP3 @320 -> 112 Mb
Full Artwork @ 600 dpi (png) -> 246 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1968, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81060
Jazz / Avant-Garde Jazz / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. "New York is Now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York downtown scene in years to come! Ornette's at his most late 60s unbridled here – freer than before, and working with a lineup that includes Jimmy Garrison on bass and Elvin Jones on drums – still no piano at all – plus great work from Dewey Redman on tenor, who really burst into new prominence with this album. Ornette plays a bit of violin alongside alto sax – and tracks include "Toy Dance", "Round Trip", "Broad Way Blues", and "We Now Interrupt For A Commercial".

Cy Coleman - A Jazzman's Broadway (2018)  Music

Posted by pyatak at April 6, 2018
Cy Coleman - A Jazzman's Broadway (2018)

Cy Coleman - A Jazzman's Broadway (2018)
01:16:38 | MP3 CBR 320 kbps | 179 MB
Jazz | Label: Harbinger Records

Before he was a noted composer of such shows as Little Me, Sweet Charity, Barnum and On the Twentieth Century, Cy Coleman was the favorite of the New York cabaret and supper club scene. Now, for the first time, Cy and his fellow musicians play the scores of Harold Arlen and E.Y. Harburgs hit show Jamaica in addition to songs from the Rodgers and Hammerstein hits Flower Drum Song and South Pacific
Pat Metheny / Ornette Coleman - Song X (1986) Twentieth Anniversary, Expanded Remastered Edition 2005 [Repost]

Pat Metheny / Ornette Coleman - Song X (1986) Twentieth Anniversary Edition 2005
EAC | FLAC | Tracks (Cue&Log) ~ 493 Mb | Mp3 (CBR320) ~ 164 Mb | Scans included
Free Jazz, Avant-Garde, Modern Creative | Label: Nonesuch | # 7559-79918-2 | 01:06:43

Song X is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album features mutual Metheny/Coleman collaborator Charlie Haden on bass, Jack DeJohnette on drums, and Coleman's son Denardo on various percussion instruments. It was recorded at The Power Station in New York City between December 12 and December 14, 1985. A remixed and remastered version was issued on CD in August 2005, titled Song X: Twentieth Anniversary. Six unreleased tracks were added prior to the original eight songs. In The Penguin Guide to Jazz (2004), Richard Cook and Brian Morton said the more adventurous recordings on Song X showcased the jubilant playing between Coleman and Metheny, who not only "powered his way through Coleman's itinerary with utter conviction, he set up opportunities for the saxophonist to resolve and created a fusion with which Coleman's often impenetrable Prime Time bands had failed to come to terms." In a review of the album's 2005 reissue, Christgau wrote in Blender that all six bonus tracks were "strong enough to justify kicking off with them, and the perfect warm-up to an album Metheny was right to construct exactly as he did."
Mary Bergin - Feadóga Stáin (1979) Gael-Linn/CEF 071 - 1st IR Pressing - LP/FLAC In 24bit/96kHz

Mary Bergin – Feadóga Stáin / Traditional Irish Music On The Tin Whistle
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Gael-Linn/CEF 071 | Released: 1979 | Genre: Irish-Folk

Bergin is joined by members of De Danann, who accompany her through an outstanding display of tunes and talent.
Alirio Díaz - 4 Siècles De Guitare Classique (1966) Musidisc/RC 784 - 1st FR Pressing - LP/FLAC In 24bit/96kHz

Alirio Díaz – 4 Siècles De Guitare Classique
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Musidisc/RC 784 | Released: 1966 | This Issue: 196? | Genre: Classical

Alirio Díaz (12 November 1923 – 5 July 2016) was a Venezuelan classical guitarist and composer and one of the most prominent composer-guitarists of his country.