24bit Coleman

Coleman Hawkins - Desafinado: Coleman Hawkins Plays Bossa Nova & Jazz Samba (1962/2014) [Official Digital Download 24/96]

Coleman Hawkins - Desafinado: Coleman Hawkins Plays Bossa Nova & Jazz Samba (1962/2014)
FLAC (tracks) 24-bit/96 kHz | Time - 35:39 minutes | 795 MB
Studio Master, Official Digital Download | Artwork: Front cover

That Coleman Hawkins jumped on the jazz/bossa nova bandwagon craze initiated by Stan Getz in 1962 was a bit of a surprise to his fans, but that he was comfortable in the idiom should not be off-putting. Able to adapt to any style over his lengthy career, the legendary tenor saxophonist chose classic standards adapted to Brazilian rhythms, music from masters like Antonio Carlos Jobim and Joao Gilberto, and a Manny Albam original. Producer Bob Thiele and music director Albam were strong in their resolve directing Hawkins to do this project, and the results are fairly predictable, especially considering that every single track is played in midtempo. The difference is the deployment of two guitarists in Barry Galbraith (lead) and Howard Collins (rhythm) split into separate stereo channels, with bassist Major Holley and no full kit drummer, although Eddie Locke with a minimal and stripped-down setup, Willie Rodriguez, and even Tommy Flanagan play small Latin percussion instruments.
Miles Davis - The Musings Of Miles (1955/2016) [Official Digital Download 24bit/192kHz]

Miles Davis - The Musings Of Miles (1955/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 35:45 minutes | 785 MB
Studio Master, MONO, Official Digital Download | Artwork: Digital booklet

By the time Miles Davis recorded „The Musings Of Miles“ on June 7, 1955, he'd expanded and refined his approach to the bop idiom which had nurtured him, and the cool approach–which he'd championed. He learned to refine and edit his line, discovered what aspects of his style were derivative and which were truly his own, and, most importantly, zeroed in on his own signature sound and style of phrasing.
Lee Ritenour - A Twist Of Rit (2015) [Official Digital Download 24bit/96kHz] RE-UP

Lee Ritenour - A Twist Of Rit (2015)
FLAC (tracks) 24 bit/96 kHz | Time - 70:28 minutes | 1,47 GB
Studio Master, Official Digital Download | Artwork: Front cover

A Twist of Rit is Lee Ritenour’s new 2015 Concord Records release. A star-studded band performs a number of new compositions combining with fresh, “twisted” versions of some of his earliest funky, fusion material from the 70s and early 80s. Combining some of the hottest rhythm players out there, including Ron Bruner Jr., Chris Coleman, Dave Weckl, Melvin Davis, Paulinho Da Costa, Michael Thompson, John Beasley, Patrice Rushen, and Dave Grusin with a five piece Horn Section and Ernie Watts on tenor sax, A Twist of Rit will make for one of his most special releases to date.
Ronnie Ross & Allan Ganley - The Jazz Makers (1959) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27286}

Ronnie Ross & Allan Ganley - The Jazz Makers (1959) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27286}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 236 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 600 dpi (png) -> 98 Mb | 5% repair rar | 24bit remaster
© 1959, 2013 Warner Japan / Atlantic / Rhino | WPCR-27286 | Jazz Best Collection 1000 Series
Jazz / Bebop / Bop / Saxophone / Drums

Features 24 bit digital remastering. Comes with a description. The Jazz Makers: Art Ellefson (tenor saxophone), Ronnie Ross (alto and baritone saxophones), Stan Jones (piano), Stan Wasser (bass), Allan Ganley (drums) recorded in New York, September 23, 1959. What ever happened to The Jazz Makers? In 1959, the British jazz quintet The Jazz Makers came second in the British Melody Maker journal reader’s poll small jazz combo section, beating even the Tubby Hayes and Ronnie Scott’s Jazz Couriers. They first established a US presence in 1958, appearing at the Newport Jazz Festival, and subsequently touring on the same bill as Thelonious Monk, where they caught the ear of Atlantic boss Nesuhi Ertegan. He brought them into a New York studio to record this album, The Swinging Sounds of The Jazz Makers, Atlantic 1333. Ronnie Ross went on to receive a Downbeat magazine New Star award.
The Duke Pearson Nonet - Honeybuns (1965) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27121}

The Duke Pearson Nonet - Honeybuns (1965) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27121}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 191 Mb | MP3 @320 -> 72 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar | 24bit remaster
© 1965, 2012 Warner Japan / Atlantic / Rhino | WPCR-27121 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Post Bop / Piano

Features 24 bit digital remastering. Comes with a description. Other than "Our Love" (a familiar classical theme adapted to American pop music by Larry Clinton), all six selections are originals by the pianist. Utilizing a nonet that includes trumpeter Johnny Coles (who does his best to be soulful on "Honeybuns"), trombonist Garnett Brown, flutist Les Spann, altoist James Spaulding, tenor saxophonist George Coleman, baritonist Pepper Adams, bassist Bob Cranshaw, and drummer Mickey Roker, Pearson performs music in a style that would have fit in quite well on Blue Note. Most memorable among his originals is "Is That So." This is not an essential date, but it is nice to have this rarity back in print again.
Duke Pearson - Prairie Dog (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27166}

Duke Pearson - Prairie Dog (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27166}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 211 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (jpg) -> 72 Mb | 5% repair rar | 24bit remaster
© 1966, 2012 Warner Japan / Atlantic / Rhino | WPCR-27166 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Soul Jazz / Piano

Features 24 bit digital remastering. Comes with a description. his 1966 date by Duke Pearson with an octet was originally issued by Atlantic. Reissued by Collectables, this is Pearson in full soul-jazz mode, driven deeply by the blues, with an all-star band (not all members play on all tunes): drummer Mickey Roker; Harold Vick on soprano; James Spaulding on flute and alto; bassist Bob Cranshaw; trumpeter Johnny Coles; tenor George Coleman; guitarist Gene Bertoncini; and Pearson on piano and celeste.
Slide Hampton - Jazz With A Twist (1962) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27048}

Slide Hampton - Jazz With A Twist (1962) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27048}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 235 Mb | MP3 @320 -> 83 Mb
Full Artwork @ 600 dpi (png) -> 108 Mb | 5% repair rar | 24bit remaster
© 1962, 2012 Atlantic / Warner Japan / Rhino | WPCR-27048 | Jazz Best Collection 1000 Series
Jazz / Bop / Hard Bop / Trombone

Features 24 bit digital remastering. Comes with a description. A firey stormer from the great Slide Hampton! The album's one of his few early sides for Atlantic – and like the others, it's a groundbreaking batch of larger group material, with slide out front on trombone, and the rest of the ensemble vamping along like a tight Blue Note combo. Players are excellent – and include George Coleman on tenor, Horace Parlan on piano, Hobart Dotson on trumpet, and Ray Barretto on drums – and Slide makes them come together so tightly, you'd think they were working together every night of the week! Titles include "The Barbarians", "Strollin", "The Jazz Twist", "Red Top", "Slide Slid", and "Day In Day Out".
The Modern Jazz Quartet - The Hi-Res Album Collection (Incomplete) [24bit/192kHz] Combined RE-UP

The Modern Jazz Quartet - The Hi-Res Album Collection (1960-1975)
FLAC (tracks) 24 bit/192 kHz | Time - 360:15 minutes | ~ 14,2 GB
Studio Master, Official Digital Download | Artwork: Front cover(s)

The Modern Jazz Quartet was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. The band performed over a forty-year span with only one personnel change. For the majority of their career the group comprised John Lewis (piano and musical director), Milt Jackson (vibraphone), Percy Heath (double bass) and Connie Kay (drums). The paradox of the MJQ's music-making was that each individual member could improvise with an exciting vibrancy while maintaining the precision and collectedness of a classical group.
Leo Wright - Soul Talk (1963) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27230}

Leo Wright - Soul Talk (1963) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27230}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 204 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 300 dpi (png) -> 25 Mb | 5% repair rar | 24bit remaster
© 1963, 2013 Vortex / Rhino / Warner Japan / WEA | WPCR-27230 | Jazz Best Collection 1000 Series
Jazz / Post Bop / Saxophone

Features 24 bit remastering and comes with a mini-description. Playing in the traditional idiom of the lounge setting (Wright on alto sax and flute, Kenny Burrell on guitar, Gloria Coleman on organ, and Frankie Dunlap on drums) could be fairly boring and pat, not to mention little more than background for some prime rib and a bottle of Blue Nun. Wright steers his group away from that with balance, control and unmatched intuition from all his players.
Stan Getz & Gary McFarland - Big Band Bossa Nova (1962/2014) [Official Digital Download 24bit/192kHz]

Stan Getz & Gary McFarland - Big Band Bossa Nova (1962/2014)
FLAC (tracks) 24 bit/192 kHz | Time - 33:43 minutes | 1,47 GB
Studio Master, Official Digital Download | Artwork: Front cover

Big Band Bossa Nova is a 1962 album by saxophonist Stan Getz with the Gary McFarland Orchestra. The album was arranged and conducted by Gary McFarland and produced by Creed Taylor for Verve Records. Bossa nova means ‘new wave' or ‘new trend', and this album rode that wave, making No. 13 on the Billboard album chart in 1963 in the wake of the success of Jazz Samba (1962) and prior to the release of Getz/Gilberto (1964). Sandwiched as it is between the two classic albums of the era, it sometimes gets unfairly overlooked. The piano playing of Hank Jones is particularly good while Jim Hall plays acoustic guitar in the Charlie Byrd role. Four of the tracks are written by the arranger Gary McFarland, while the other tracks come from the Brazil's Jobim, Gilberto and Bonfa; Getz recorded Jazz Samba Encore with Jobim and Bonfa a few months later in February 1963.