Fans are used to seeing Metallica rock massive stadiums, but last night (Sept. 27), the metal legends played an intimate club gig at New York’s Webster Hall for about 1,500 lucky fans, and we were fortunate to among those in attendance. This is complete show recorded live at Webster Hall in New York, NY on September 27, 2016.
James Taylor had scored eight Top 40 hits by the fall of 1976 when Warner Brothers marked the end of his contract with this compilation. One of those hits, the Top Ten gold single “Mockingbird,” a duet with his wife Carly Simon, was on Elektra Records, part of the Warner family of labels and presumably available, but it was left off.
This specialty album is of particular interest for audiophiles and for anyone wishing to calibrate their precious sound system and speaker placement. This is a great Setup and Test recording, packed with expertly chosen music cuts, test tones, instrument resonances, stage perspectives, noises and a system burn-in track, in HD format, to help properly set up and enhance your system; a must have tool to help tweak your system for maximum performance.
For the First Time - Digitally Released As High Resolution Downloads 192kHz/24bit Classic Jazz Titles from the Archives of Warner Bros Records, Reprise, Atlantic Records, and Rhino Records. The Vibration Continues is a breathtaking compilation of hits spanning the years of 1968-1974 from multi-instrumentalist, Rahsaan Roland Kirk. With virtuoso improvisations, the album features tremendous renditions of Ellington’s “Do Nothin’ Till You Hear From Me” and a brilliant performance of “Tribute to John Coltrane: Lush Life, Afro-Blue & Bessie’s Blues.”
Essential: a masterpiece of progressive-rock music.
As Nice As Mother Makes It
After two very robust but patchy albums the Nice adopted a slightly different approach to their third by exploiting a half live/half studio hybrid. They felt that this (on the advice of their new manager Tony Stratton-Smith) would showcase the 'best of both worlds' as the studio precedents were not felt to do justice to their live performances.
Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Excellent addition to any prog-rock music collection.
It is not possible to overestimate the Nice's importance to Progressive Rock. In their moment, they were prog and if the eye-opening debut Thoughts of Emerlist Davjack didn't show that, this dazzling follow-up did. Sure they're so old and dated you'd never put them on unless alone in the house.
Another fundamental brick in the prog-rock music wall.
This band started its career by doing artistic cover versions from tunes composed by other people, and this third album presents their own matured composing skills. Earlier "The Beat Goes On" was more like an abstract artsy tryout when compared to this masterpiece in my opinion. The most dominant elements are still the strong organ chord layers, powerful vocal harmonies and very strong emotional load, resembling a state of religious pathos.
Essential: A masterpiece of psych-rock music collection.
Vanilla Fudge are a pioneering psychedelic band with a superb lineup and are famous for psyching up well known cover versions. Their debut albums features some of their best and most popular material such as the stunning' You Keep Me Hanging On', 'Eleanor Rigby' and 'She's Not There'.