24 Shm

Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}

Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 508 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81099
Jazz / Post Bop / Vibraphone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}

Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 246 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 232 Mb | 5% repair rar | 24bit 192kHz remaster
© 1967, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5016
Jazz / Post Bop / Vibraphone

Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).
Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}

Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 368 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar | 24bit 192kHz remaster
© 1963, 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81011
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military.
Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}

Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 308 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 252 Mb | 5% repair rar | 24bit 192 kHz remaster
© 1966, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5023
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). This long-lost Lee Morgan session was not released for the first time until it was discovered in the Blue Note vaults by Michael Cuscuna in 1984; it has still not been reissued on CD. Originals by Cal Massey, Duke Pearson ("Is That So") and Walter Davis, in addition to a couple of surprising pop tunes ("What Not My Love" and "Once in My Lifetime") and Morgan's title cut, are well-played by the quintet (which includes the trumpeter/leader, Hank Mobley on tenor, pianist Cedar Walton, bassist Paul Chambers and drummer Billy Higgins).
Jack Teagarden - Jack Teagarden At The Roundtable (1959) {2016 Japan SHM-CD Jazz Masters Collection 1200 Series WPCR-29130}

Jack Teagarden - Jack Teagarden At The Roundtable (1959) {2016 Japan SHM-CD Jazz Masters Collection 1200 Series WPCR-29130}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 183 Mb | MP3 @320 -> 96 Mb
Full Artwork @ 600 dpi (png) -> 192 Mb | 5% repair rar | 24bit remaster
© 1959, 2016 Roulette / Parlophone / Warner Music Japan | WPCR-29130
Jazz / Dixieland / Swing / Big Band / Mainstream Jazz / Trombone

Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. We love Jack Teagarden on Roulette Records – as the label's slightly broken-down, booze-drenched approach was perfect for the late life skills of the trombonist – and maybe a better setting for his talents than anywhere else! This fantastic set has Jack at all the height of those aging powers – playing trombone with a deftness that's way more than the trad modes in which he was schooled, and singing in this heartbreaking voice that's almost even more compelling – trying for blues, and full of pathos in its attempt to reach it – wonderfully human overall. The group features Don Ewell on piano, Don Goldie on trumpet, and Ronnie Greb on drums – and titles include "Big Noise From Winnetka", "When", "Stardust", "Honeysuckle Rose", and "South Rampart Street Parade".
Art Blakey & The Jazz Messengers - Backgammon (1976) {2016 Japan SHM-CD Jazz Masters Collection 1200 Series WPCR-29102}

Art Blakey & The Jazz Messengers - Backgammon (1976) {2016 Japan SHM-CD Jazz Masters Collection 1200 Series WPCR-29102}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 362 Mb | MP3 @320 -> 114 Mb
Full Artwork @ 600 dpi (png) -> 183 Mb | 5% repair rar | 24bit remaster
© 1976, 2016 Roulette / Parlophone / Warner Music Japan | WPCR-29102
Jazz / Hard Bop

Reissue with SHM-CD format and new 24bit remastering. Comes with a mini-description. Killer work from this overlooked Art Blakey stretch of the mid 70s – a time when the drummer was getting back to basics, and re-igniting his music with help from some key younger players! This set sparkles with sharp tenor from the great David Schnitter – already a powerhouse out of the box, and driven onto new heights by Blakey! Also present is pianist Albert Dailey, whose conception helps bring in some fresh sounds to the Jazz Messengers universe – alongside flute player Ladji Camara, who also vocalizes on one cut. Yoshio Suzuki handles bass, and old line trumpeter Bill Hardman comes in to round out the group – on titles that include "Uranus", "Third World Blues", "Namfulay", and "Backgammon".
Brian Eno - The Ship (2016) {Japan SHM-CD Collector's Edition BRC-505CE}

Brian Eno - The Ship (2016) {Japan SHM-CD Collector's Edition BRC-505CE}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 277 Mb | MP3 @320 -> 129 Mb
Full Artwork @ 600 dpi (png) -> 763 Mb | 5% repair rar
© 2016 Opal / Warp Records / Beat Records Japan | BRC-505CE
Electronic / Ambient / Avant-Garde / Experimental Ambient / Structured Improvisation

Brian Eno brings the first album in three and a half years. This Japanese edition features SHM-CD format, and includes four pieces of art prints and a 8-page booklet. Special packaging. Special Feature - a bonus track for Japan. The Ship marks Brian Eno's first ambient album since 2012's Lux. Work on the album began as a 3-D sound installation in Stockholm, but altered to stereo when Eno realized he could sing in a low C, The Ship's root note. The Ship contains two works, the 21-minute title track, and the three-part "Fickle Sun." The title piece, a reflection on the sinking of the Titanic, recalls a moment in his distant past: he released Gavin Bryars' Sinking of the Titanic on his Obscure Music label in 1975.
Derek And The Dominos - Layla & Other Assorted Love Songs (1970) [Japanese Limited SHM-SACD 2016] PS3 ISO + Hi-Res FLAC

Derek And The Dominos - Layla & Other Assorted Love Songs (1970) [Japanese Limited SHM-SACD 2016]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 76:44 minutes | Scans included | 2,31 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,6 GB
Wishbone Ash - Argus (1972/2013) {2016, SHM-SACD, Remastered, Geffen UIGY-15033} [SACD ISO + FLAC 24/88]

Wishbone Ash - Argus (1972/2013) {2016, SHM-SACD, Remastered}
PS3 Rip | ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Full Scans (JPG, 300 dpi) | 3,42 Gb | 5% Recovery
FLAC (Tracks), 24bit/88,2 kHz (converted with foobar2000) | Full Scans (JPG, 300 dpi) | 1,61 Gb | 5% Recovery
Progressive Rock, Hard Rock, Classic Rock | 01:20:44 | © 2016 Geffen Records #UIGY-15033

If Wishbone Ash can be considered a group who dabbled in the main strains of early-'70s British rock without ever settling on one (were they a prog rock outfit like Yes, a space rock unit like Pink Floyd, a heavy metal ensemble like Led Zeppelin, or just a boogie band like Ten Years After?), the confusion compounded by their relative facelessness and the generic nature of their compositions, Argus, their third album, was the one on which they looked like they finally were going to forge their own unique amalgamation of all those styles into a sound of their own…
The Police - Syncronicity (1983/2013) {2016, Japanese SHM-SACD, Remastered, UIGY-15031} [SACD ISO + FLAC 24/88]

The Police - Syncronicity (1983/2013) {2016, Japanese SHM-SACD, Remastered, UIGY-15031}
PS3 Rip | ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Full Scans (JPG, 300 dpi) | 1,89 Gb | 5% Recovery
FLAC (Tracks), 24bit/88,2 kHz (converted with foobar2000) | Full Scans (JPG, 300 dpi) | 901 Mb | 5% Recovery
New Wave, Pop Rock | 00:48:28 | © 2016 A&M Records #UIGY-15031

The Police were back in 1983 with Synchronicity, which hit No. 1 everywhere and remained on top a phenomenal 17 weeks in the U.S. The gold, Grammy-winning "Every Breath You Take" was No. 1 for eight weeks. "Wrapped Around Your Finger" was Top 10 and both "King Of Pain" and "Synchronicity II" became Top 20 hits. The quadruple platinum album took home a Grammy as well. "I do my best work when I'm in pain and turmoil," Sting told Rolling Stone. And indeed, the dissolution of his first marriage produced some of his best work yet, including "King of Pain" and the stalker's anthem "Every Breath You Take." There was pain and turmoil in the band, too — it would be the Police's last album."