24 Bit

Grand Funk Railroad - Caught In The Act (1975) (24-bit Remastered)

Grand Funk Railroad - Caught In The Act (1975) (24-bit Remastered)
Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
Capitol, 72435-80592-2-9 | rem: 2003 | 675Mb

By 1975, Grand Funk Railroad had reached a new level of fame and fortune thanks to pop-friendly albums like We're an American Band and Shinin' On. However, they had not dropped the turbo-charged rock & roll that built their early success and that fact is proven by this exciting double-live album. Caught in the Act covers all the highlights of their catalog up to that point, including both the major hits and a generous sampling of album-track favorites.
Jerome Richardson - Going To The Movies (1962) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]

Jerome Richardson - Going To The Movies (1962) {2011 Japan 24-bit Remaster} [Jazz Masterpiece Best & More 999 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 193 Mb | MP3 @320 -> 72 Mb
Full Artwork @ 300 dpi (png) -> 23 Mb | 5% repair rar | 24-bit remaster
© 2011 United Artists Jazz / Liberty / EMI Music Japan | TOCJ-50129 | Jazz Masterpiece Best & More 999 Series
Jazz / Cool / Hard Bop / Saxophone

Movie themes, along with songs from Broadway, have long been fodder for jazz musicians. This United Artists LP features Jerome Richardson leading his working quintet during a live engagement, though the venue is unidentified. The extended workout of Duke Jordan's "No Problem" (from the film Les Liaisons Dangereuses) showcases Richardson's robust baritone sax and Les Spann on flute, with the leader adding a tag at the end on piccolo. Richardson switches to tenor sax and Spann to guitar for a rather brisk arrangement of "Moon River." "Tonight" (from West Side Story) is a bit unusual in that it features both musicians on flute.
Billy Cobham - Inner Conflicts (1978) {2014 Japan 24-bit Fusion Best Collection 1000}

Billy Cobham - Inner Conflicts (1978) {2014 Japan 24-bit Fusion Best Collection 1000}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 280 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar | 24-bit remaster
© 2014 Atlantic / Warner Japan | WPCR-28147
Jazz / Fusion / Jazz Funk

Features 24-bit digital remastering. Comes with a mini-description. A solid effort that has been dismissed based upon its associations with two Cobham lemons, Simplicity of Expression: Depth of Thought and B.C., all recorded around the same time. This recording finds Cobham continuing to explore the funk genre; however, the overall mood here is quite darker and more introspective, similar to Crosswinds.

24 Bit Deep Tech Sound Library 2 WAV  

Posted by Dizel_ at March 9, 2015
24 Bit Deep Tech Sound Library 2 WAV

24 Bit Deep Tech Sound Library 2 WAV | 303 MB

Elevate your productions with the second installment of TECH SOUND LIBRARY. Berlin's 24 Bit Deep production crew specializes in inspiring next-level sounds for Tech House, Deep House and Techno producers.
Lee Morgan & Clifford Jordan Quintet - Live In Baltimore 1968 (2014) {Fresh Sound Records 24-bit Remaster}

Lee Morgan & Clifford Jordan Quintet - Live In Baltimore 1968 (2014) {Fresh Sound Records 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 476 Mb | MP3 @320 -> 178 Mb
Full Artwork @ 600 dpi (png) -> 217 Mb | 5% repair rar | 24-bit remaster
© 2014 Fresh Sound Records | FSR-CD 824
Jazz / Hard Bop / Trumpet / Saxophone

Lee Morgan’s first meeting on record with Clifford Jordan was in June 1957, when Morgan was about to turn nineteen and Jordan had just begun making a name for himself. After their first collaboration, the precocious Morgan occasionally called Jordan to play tenor on his recordings; thus they recorded together twice in 1960 and once in January 1962.

24 Bit Deep - Deep House Vol.2  

Posted by vivid23 at Sept. 3, 2014
24 Bit Deep - Deep House Vol.2

24 Bit Deep - Deep House Vol.2 | WAV MiDi | 267 MB

Berlin's 24 Bit Deep production crew delivers a second installment of potent sonic tools for Deep House producers. Deep House Vol. 2 is a powerful source of inspiration - 434.8 MB of the deepest moods and grooves to enhance the workflow of aspiring and experienced producers alike. This Sound Library offers complete arrangements with variants - all stripped down to individual elements with loops that are Key/BPM labelled and included MIDI files. Whether you are starting a track/remix from scratch, or want to add some extra magic to your own productions - Deep House Vol. 2 offers the producer total control, inviting you to create the deepest Floor Fillers.
Jack Wilson - The Jack Wilson Quartet featuring Roy Ayers (1963) {2012 Japan 24-bit Remaster}

Jack Wilson - The Jack Wilson Quartet featuring Roy Ayers (1963) {2012 Japan 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 226 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 600 dpi (jpg) -> 117 Mb | 5% repair rar | 24-bit remaster
© 2012 Warner Japan / Atlantic / Rhino | WPCR-27094 | Jazz Best Collection 1000 Series
Jazz / Cool / Post Bop / Piano

A great album recorded in 1963 for Atlantic – one of our favorite ever! Jack Wilson's one of our favorite piano players, and we rave about him all the time on these pages – and one of the reasons why we love him so much is that he was often accompanied by Roy Ayers, who started out his career playing vibes in his group! The pair together are a dream, and this album is arguably their best effort – filled with moody modal cuts, and lots of lyrical interplay that hits these beautiful high points, then dives into pits of darkness. Titles include "Harbor Freeway", "De Critifeux", "Corcovado", "Jackleg", and "Nirvana & Dana".
Charles Mingus - Tijuana Moods. The Complete Edition (1957) [2CD] {2000 BMG 24-bit Remaster}

Charles Mingus - Tijuana Moods. The Complete Edition (1957) [2CD] {2000 BMG 24-bit Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 587 Mb | MP3 @320 -> 227 Mb
Full Artwork @ 300 dpi (jpg) -> 19 Mb
© 2000 BMG France / RCA Victor | 74321749992 | 24-bit Remaster
Jazz / Hard Bop / Post Bop


Charles Mingus - Tijuana Moods. The Complete Edition (1957) [2CD] {2000 BMG 24-bit Remaster}

Recorded in New York in 1957 (though not released until 1962), Tijuana Moods was, according to Mingus himself, "the best album I ever made." The music is a vigorous stew of Mexican rhythms and sophisticated post-Ellington arrangements, further invigorated by the soloing of trumpeter Clarence Shaw, trombonist Jimmy Knepper, and, particularly, saxophonist Shafi Hadi. Mingus's vision of Tijuana was clearly sensual, the music evoking strippers, frenetic street scenes, and heart-broken lovers. Making use of suitelike thematic material and various forms of counterpoint, the group sounds much larger than it is, and points toward Mingus's later experiments with form.

Uriah Heep - Between Two Worlds (2005) {24-bit/96kHz Remastered}  Music

Posted by popsakov at Nov. 10, 2016
Uriah Heep - Between Two Worlds (2005) {24-bit/96kHz Remastered}

Uriah Heep - Between Two Worlds (2005) {24-bit/96kHz Remastered}
2CD | EAC Rip | FLAC (Img) + Cue + Log ~ 949 Mb | MP3 CBR320 ~ 329 Mb
Scans (JPG, 300 dpi) ~ 58 Mb | RAR 5% Recovery
Hard Rock, Classic Rock | Ambitions / Eagle Rock / Membran Music #223141-311

2CD set featuring 26 tracks from one of Europe's most popular rock combo's who formed in 1969. This compilation takes tracks from the 1998 & 1995 albums 'Sonic Origami' and 'Sea Of Light'. Tracks include 'Love in Silence', 'Between Two Worlds' and 'Spirit of Freedom'. 2CD set was made in Germany in 2005 and it's 24-bit digitally remastered.
John Coltrane - A Love Supreme (1965/2013) [BD-Audio Rip 24-bit/96kHz]

John Coltrane - A Love Supreme (1965/2013)
FLAC (tracks) 24-bit/96 kHz | Time - 110:20 minutes | 1,8 GB
Blu-Ray Pure Audio | LPCM to FLAC | Artwork: Front cover

Released in January 1965 by Impulse! Records, A Love Supreme became one of the most acclaimed jazz albums of all time and has been widely regarded as Coltrane's masterpiece. This BD reissue features the original "A Love Supreme" album along with the Quartet's only live performance of the suite at the Antibes Jazz Festival in 1965-oft-bootlegged, and some alternative takes, includes long-rumored sextet performance of the opening movement with Archie Shepp and Art Davis is a flat-out revelation.