Mozart is the most pervasively dramatic composer in history. The spirit of opera informs very nearly his every work. Themes are characters; characters interact; they change. András Schiff’s alertness to the dialogue in Mozart is reflected both in his acute sense of characterisation and his immensely sophisticated use of articulation. Every line breathes. Not only that, every tone tells. Just as the voice in conversation subtly reflects the speaker’s state of mind, so Schiff’s deployment of sonority derives from an acute perception of the notes’ psychological as well as their purely musical character. This recording from the historical and stunningly beautiful Teatro Olimpico affords us numerous insights into Schiff’s approach to music and music-making, and more besides. Schiff’s joy in performance is as evident to the eye as to the ear.
Solti's interpretations held more than surface excitement. In conducting Beethoven, for example, he long held that the symphonies should be played with all their repeats to maintain their structural integrity, and he carefully rethought his approach to tempo, rhythm, and balance in those works toward the end of his life.