Walter Wanderley's understanding of and digital skill with bossa nova rhythm patterns was enviable, comparable only to Joao Gilbertos genius. With dozens of phony, unmusical albums of Brazilian jazz and pop music inundating American record shops since bossa nova happily emerged from Brazil in mid-1962, Walter Wanderleys swinging style at the Hammond console epitomized the finest in authentic Brazilian entertainment.
Here comes from a guy nickname as "The Handel of Sweden". Johan Helmich Roman is Baroque composer born in Stockholm. He was a violinist and oboist. He was leading figure in Swedish Royal Orchestra back then in 1720s. His most famous work happened to be a wedding compilation called "Drottningholmsmusique" a large orchestral suite for the wedding of the Crown Prince Adolf Frederick of Sweden and Louisa Ulrika of Prussia. In this CD we found 12 flute sonatas for Basso Continuo, which replaced by harpsichord and cello. The form was most famous back then for flute enthusiast as they are simple. The pieces are somehow Handellian in spirit. This CD will enrich our experience and knowledge in Baroque flute repertoire. The whole CD is given performance by flutist Jed Wentz, who happened to be American flutist born in New Brighton PA. He is expert in Baroque repertoire.
The forgotten sound of South Louisiana. Setting out on the “By The Bayou” journey, I didn’t envisage reaching CD 12. The project started as a vehicle for white Louisiana rockers, but exploration of the tape vaults of J.D. Miller and the catalogues of Eddie Shuler’s Goldband, Floyd Soileau’s Jin, Sam Montelbano’s Montel and Joe Ruffino’s Ric and Ron labels revealed more than enough great vocal group material to fill a dedicated CD. So here is a collection of chanting rockers and sweet harmonies, rather overlooked as ingredients which go into the rich gumbo of South Louisiana music of the 50s.
"Every soul and spirit were in his harpsichord," dramatist Alexis Piron wrote about his friend Rameau. Listeners of today are often more inclined to prefer his operas. However, there is a wealth of wit, wisdom and joy in Rameau's harpsichord works. This collection of the complete 'Pièces pour clavecin', performed by Bertrand Cuiller with his customary finesse and passion, illuminates all of the beauty and virtuosity of these works. Bertrand Cuiller devotes his recital career to the solo harpsichord repertory, with a particular penchant for the English composers William Byrd and John Bull, whose music he has recorded for Mirare and Alpha.
Ushering in a new golden era for the flute as solo instrument, Jean-Pierre Rampal secured his place in the classical music firmament as the greatest flautist of the modern era. Over 25 years (1954-1982), the French virtuoso’s fruitful collaboration with Erato grew into a truly exceptional achievement in recording history: an encyclopedia of flute music in vital performances that have remained the benchmark for generations. The first complete reissue of these recordings represents the most important collection ever dedicated to a single flautist. After all, it was Jean-Pierre Rampal that taught us to love the flute.
In late February 1653, just after the Fronde rebellion, the most influential spectacle of the early reign of Louis XIV was presented at the Louvre: the Ballet Royal de la Nuit. Grandiose, and carefully elaborated at the highest levels of the state, the libretto by Benserade called upon the finest artists of the time. Banishing the troubles of night, Louis XIV danced in the Sun King costume that would henceforth be forever associated with him. This unmissable world premiere recording presents a reconstruction of the work created by Sebastien Dauce that includes music by Jean de Cambefort, Antoine Boesset, Louis Constantin, Michel Lambert, Francesco Cavalli and Luigi Rossi.
Francis I, as a princely patron of the arts, realised that music was a very useful tool for his policy of prestige: Official music for great diplomatic events like the amazing musical ‘tournament’ between the Chapelle of the King of France and the Chapel Royal of Henry VIII of England at the Mass for the Field of the Cloth of Gold, reconstructed in this recording; but also more intimate music with the exceptionally subtle, refined and learned repertory to be heard in the monarch’s châteaux such as Chambord and Fontainebleau, performed by the finest singers and instrumentalists of the realm under the aegis of the Chambre du Roi. Here is a feast of previously unrecorded music for King Francis I, the symbol of a happy Renaissance.
This spectacular live concert captures Peter Gabriel's celebration of the 25th anniversary of his landmark album "So". To mark the event Gabriel reunited his original "So" touring band from 1986/87 and for the very first time fans saw them play the multi-platinum selling album in its entirety. Whilst the core of the performance is the "So" album, there is so much more to the concert with unfinished, previously unreleased and re-imagined songs sitting effortlessly alongside classic hits reflecting what a multi-dimensional artist Peter Gabriel is.