The forgotten sound of South Louisiana. Setting out on the “By The Bayou” journey, I didn’t envisage reaching CD 12. The project started as a vehicle for white Louisiana rockers, but exploration of the tape vaults of J.D. Miller and the catalogues of Eddie Shuler’s Goldband, Floyd Soileau’s Jin, Sam Montelbano’s Montel and Joe Ruffino’s Ric and Ron labels revealed more than enough great vocal group material to fill a dedicated CD. So here is a collection of chanting rockers and sweet harmonies, rather overlooked as ingredients which go into the rich gumbo of South Louisiana music of the 50s.
Time to roll up the carpet and put on your dancing shoes – 28 killer-diller Louisiana tracks. The eleventh CD in the “By The Bayou” contains some real skirt-swirlers, with a couple of slower numbers slipped in to break up the tempo. In keeping with the other “Boppin’” discs in this series, we have included some pure rockabilly and Cajun tracks alongside the swamp rockers.
The coronation of Charles II was the glorious celebration of the restoration of the monarchy following a coup d'ètat, civil war and an 11-year government of the Commonwealth under Oliver Cromwell. The return of the monarch was sealed in early 1660 and the official coronation took place in London just a year later. It was a large-scale political spectacle and a festive patriotic statement. The sequence of the coronation festivities is well documented in texts and pictures, but contemporary statements concerning the music that was played are imprecise.
Ten volumes into their seemingly never-ending, always-excellent By the Bayou series, Ace returns to R&B for Mad Dogs, Sweet Daddies & Pretty Babies. Like nearly all of its predecessors, this is primarily archival – i.e., there aren't a lot of familiar names, but there are acts that have popped up on previous Bayou installments because, at this point, it's been proven that the well is deep but not fathomless. Newly discovered cuts by unknowns can hardly be called "recycling," and this, like its cousins, is pretty close to straight-up aural dynamite.
It's not at all surprising that Laurie Anderson would make a film dealing with grief and loss, especially as one of her first major projects after the death of her husband Lou Reed. But instead of offering a tribute to her late spouse, Anderson chose to make a film that dealt with another departed loved one: her dog. Her 2015 film, Heart of a Dog, is loosely centered around her experiences with her dog Lolabelle, a rat terrier who was adopted by the artist after being given up by a family going through a divorce.
In late February 1653, just after the Fronde rebellion, the most influential spectacle of the early reign of Louis XIV was presented at the Louvre: the Ballet Royal de la Nuit. Grandiose, and carefully elaborated at the highest levels of the state, the libretto by Benserade called upon the finest artists of the time. Banishing the troubles of night, Louis XIV danced in the Sun King costume that would henceforth be forever associated with him. This unmissable world premiere recording presents a reconstruction of the work created by Sebastien Dauce that includes music by Jean de Cambefort, Antoine Boesset, Louis Constantin, Michel Lambert, Francesco Cavalli and Luigi Rossi.