The 1994 return of King Crimson was timed perfectly, matching, in no particular order, one of the peak periods for CD sales, a time of great variety of radio formats in the USA, the growth of a number of bands who pointed eagerly to the influence of King Crimson - especially of the 1972-74 band - a more positive critical reception for the band, following the remasters of the catalogue, Frame by Frame and Great Deceiver boxed sets supervised by Robert Fripp. Such timing not only benefited from the release of the various musicians from their other musical commitments, but in Robert Fripp's case, the ultimately successful battle to regain control of King Crimson's catalogue.
In collaboration with Litto Enterprises Inc., Music Box Records is very proud to present one of its most ambitious releases yet - a classic Bernard Herrmann score from one of his last efforts and an important milestone in his immense career for Brian De Palma´s classic melodrama Obsession (1976) written by Paul Schrader and starring Geneviève Bujold, Cliff Robertson and John Lithgow. In a career often spent paying tribute to Alfred Hitchcock with the likes of Dressed to Kill, Blow Out and Body Double, Obsession even today stands as De Palma’s ultimate fever dream homage to the director who’d made Bernard Herrmann a household name as the romantic master of musical suspense during an eight film collaboration, no more so than with 1958s Vertigo. Yet Obsession’s reincarnation of that masterpiece showed just how devious De Palma always was in his admiration, cloaking a truly seditious plot twist that would’ve given even Hitchcock pause within sleek, star-filtered visuals. Obsession remains his most fervently romantic, and dare one say innocent attempt to recreate the studio gloss of a time when outright violence and sex were left to the mind’s eye, its rage and sensuality truly made explicit in its music. It’s a powerful, stylistic subtlety that increasingly made Obsession into the filmmaker’s most discerning cult film.