Guitarist and singer-songwriter Adelmo Fornaciari, better known by the moniker Zucchero, built a following in his native Italy with his unique brand of adult contemporary pop–a following that expanded internationally as his career progressed. Zucchero's sound blends radio-ready melodies with equal doses of rock, blues, and a light, often mellow feel on his ballads and love songs. ALL THE BEST is a re-release of the artist's 1996 hits collection. Geared specifically to American audiences, this release of ALL THE BEST includes some of Zucchero's best-loved tunes (such as "Senza Una Donna" and "Wonderful Life"), and wonderful guest performances from the likes of Paul Young, Miles Davis, and Luciano Pavarotti.
Baldassare Galuppi held the position of church organist, from which he composed operas for the Italian stage. Since his forte was the keyboard, his operas have nice harpsichord recitatives (which usually I detest) and the harmonics are contrapuntal. Galuppi as a youth had studied counterpoint under Antonio Lotti, the first organist at St Mark's. Galuppi became cembalist in the great opera houses of Venice, and was involved in the first presentations of Vivaldi's operas there. Galuppi himself wrote at least 111 operas, the best of which are collaborations with the librettist Goldoni. The young Mozart reused some of the librettos that already existed in settings by Galuppi, and the mature Mozart raised to sublime heights the dramma giocoso form which Galuppi practically invented. This release supplies a missing link between Mozart and the opera world before his time.
The Best of Nat King Cole is part of EMI-Capitol Special Markets' Ten Best Series, where they selected ten hits from a popular artist on their roster. For the budget-minded, it's a nice collection of Nat King Cole's best-known hits, like "Unforgettable," "Ramblin' Rose," "Mona Lisa," "Walkin' My Baby Back Home" and "(I Love You) For Sentimental Reasons." It certainly won't please either jazz purists or Cole collectors, but the budget-conscious looking for an affordable (albeit skimpy) sampler of well-known Cole should turn here.
Christophe Rousset's collection of overtures to 17 of Rameau's operas and opéra-ballets, played by his original instrument ensemble Les Talens Lyriques, won a 1998 Gramophone award for best Baroque non-vocal CD, and it's easy to hear why this outstanding performance was recognized. The ensemble plays with unflagging liveliness and brilliant, clean tone. The rhythmic vitality Rousset coaxes from his players is toe-tappingly engaging; at the same time, he maintains a fluidity that avoids metronomic rigidity. The tempos he takes sometimes have a breathtaking fleetness that leaves the listener marveling at the players' virtuosity. The overtures are mostly brief, usually four or five minutes long, but they each contain a world of volatility and drama. Many of them are wonderfully eccentric, with startling juxtapositions and exotic orchestral combinations that keep them from ever settling into any kind of easy predictability.
Songs of Leonard Cohen is the debut album by Canadian folk singer-songwriter Leonard Cohen, released in December 1967 on Columbia Records. Less successful in the US than in Europe, Songs of Leonard Cohen foreshadowed the kind of chart success Cohen would go on to achieve. It reached number 83 on the Billboard 200 and achieving gold status in the US only in 1989, but peaked at number 13 on the UK Albums Chart, and spent nearly a year and a half on it. Songs of Leonard Cohen was released on CD in 1989, while a digipak edition was released in some European countries in 2003. A remastered version, with the bonus tracks "Store Room" and "Blessed is the Memory," was released in the United States on April 24, 2007.
The Best That I Could Do is an appropriately self-deprecating title for John Mellencamp's greatest-hits collection, considering that the heartland rocker never seemed too convinced of his own worth. Of course, he had to struggle to get any respect after he was saddled with the stage name Johnny Cougar early in his career, but this 14-track collection proves that he was one of the best, unabashed straight-ahead rockers of the '80s. The 14 tracks here actually turn out to be a little too short to contain all of his great singles – songs like "Rain on the Scarecrow," "Rumbleseat," "Pop Singer," "Again Tonight," and "What If I Came Knocking"…
2007 release from Melodic Rock supergroup/project. 10 tracks: Features members of House Of Lords, Harem Scarem, Hardline, MSG, Malmsteen, Street Talk, Robin Beck, Giant, Dan Reed, Crown Of Thorns, and FM.
For those needing a reminder of Cole's very original and expert piano playing, this 18-track roundup of some of his best instrumentals should fit the bill. Part of Capitol's three-volume series of Cole's classic trio sides (the other two cover the vocals), The Best of the Nat King Cole Trio includes gem after gem from the group's 1943-1949 prime and features the classic lineup that included guitarist Oscar Moore and bassist Johnny Miller. With Cole and Moore seamlessly blending lines throughout, the group forged the standard for many a piano trio to follow by way of classics like "Jumpin' at Capitol," "Sweet Georgia Brown," and "These Foolish Things"…