"The Music Of Pink Floyd" is a compilation album released in 2007. It contains members and artists from many bands including Mr. Big, KISS, Glenn Hughes, Dweezil Zappa, Toto, and many others. Pink Floyd still has a huge fan base. And the fact that their albums still outsell present day artists is a testament to the band's impact on music history. Pink Floyd is one of the most influential bands in music history.
Guitarist and singer-songwriter Adelmo Fornaciari, better known by the moniker Zucchero, built a following in his native Italy with his unique brand of adult contemporary pop–a following that expanded internationally as his career progressed. Zucchero's sound blends radio-ready melodies with equal doses of rock, blues, and a light, often mellow feel on his ballads and love songs. ALL THE BEST is a re-release of the artist's 1996 hits collection. Geared specifically to American audiences, this release of ALL THE BEST includes some of Zucchero's best-loved tunes (such as "Senza Una Donna" and "Wonderful Life"), and wonderful guest performances from the likes of Paul Young, Miles Davis, and Luciano Pavarotti.
…On this disc, the quartet plays nine compositions by Ellington and Strayhorn. The interpretations are dominated by the full warm tenor sound of Javon Jackson who is a fantastic young sax man, playing in the Ben Webster tradition here. He is accompanied by the great Mr. Hazeltine, who is the musical director of the record and plays some nice solos, too. Bass and drums are played skilfully, relaxed and with deep feeling by the other two perfect sidemen. Very pleasing and relaxed, that`s the mood of the record, that every jazz fan will like.
This Naxos disc by the five-member Versus Ensemble contains a potpourri of seven different works by Argentinean composer Astor Piazzolla. It includes many of his best known major works – the Milonga del ángel, Verano Porteño, Libertango, and Oblivion – plus five excerpts from his least known major work: his operetta Maria de Buenos Aires. Of the 11 tracks here, four feature either vocalist Enrique Moratalla or soprano María Rey-Joly, one features reciter Horacio Ferrer, and six are instrumentals.
Delivered in the wake of Phil Collins' massive success as a solo star, Invisible Touch was seen at the time as a bit of a Phil Collins solo album disguised as a Genesis album, and it's not hard to see why. Invisible Touch is, without a doubt, Genesis' poppiest album, a sleek, streamlined affair built on electronic percussion and dressed in synths that somehow seem to be programmed, not played by Tony Banks. In that sense, it does seem a bit like No Jacket Required, and the heavy emphasis on pop tunes does serve the singer, not the band, but it's not quite fair to call this a Collins album, and not just because there are two arty tunes that could have fit on its predecessor…