Whirlwind is the fourth album by singer/songwriter/multi-instrumentalist Andrew Gold. It was released in 1980 on Asylum Records. It is Gold's final major label album and last solo album of any kind for over a decade.
Andrew Gold is the first album by singer/songwriter/multi-instrumentalist Andrew Gold. It was released in 1975 on Asylum Records. Linda Ronstadt, of whose band Gold was a member at the time, appears on the album.
Here is a worthwhile re-issue of a classic jazz-fusion release. The title track is just a sublime piece of midtempo magic, the kind of track would play on his much missed Radio 1 show (the music for a candlelight dinner section). gets to sing on this track. Elsewhere we get some jazz-funk instrumentals the best to my mind being the moody, downtempo with ronnie's soprano sax to the fore atop dreamy fendor rhodes. is an attractive ballad with singing again. With sidesmen and women of the calibre of , , and helping out, he can't really go wrong, can he?
The 20th-Century Cello performed by Matt Haimovitz is a great way to wade into the waters of 20-century music. His technique and musicality are inspiring and the 3-CD collection of pieces is extensive and diverse. It is a great value and a great educational tool for aspiring cellists.
This cycle of Nielsen symphonies is a partial crossover from the Bis label, not a remake. The connection with Bis assures that the sonics given to the Gothenburg Sym. will be excellent, and the clarity of the wind playing, the inner detail and clean dynamics are a big plus. Jarvi isn't especially tuned in to the mystery and tragedy of Nielsen's later works. He zips too quickly through the first movement of the Fifth, missing its combination of anguish and chaos. He isn't expansive or joyous enough in Sym. #3, even though the subtitle is 'Espansiva.'
Dominic Frasca is kind of like a cross between Andrés Segovia and Elliott Sharp. Although classically trained and still deeply influenced by classical guitar tradition, Frasca doesn't create music that sounds classical in any meaningful way, and his instrument (a customized ten-string guitar) is a bizarre Frankenstein's monster of acoustic and electronic parts that he uses simultaneously as a melodic and percussive instrument.
After 17 albums, Australia's premier purveyors of neo-psychedelic dream pop have finally come unplugged. The Liberation Blue Acoustic Series finds the veteran four-piece laying down 14 cuts – including five new tracks – over the span of a weekend. Beginning with "The Unguarded Moment" from 1981's Of Skins and Heart, they gently burn through classics like "Metropolis" and "Under the Milky Way" with an intimacy and intensity that feel more natural than any studio album that they've released in the last ten years.
If the court of Elizabeth I could be compared to a bee-hive, John Dowland was one of its workers, tirelessly bringing in news from the Continent which he constantly visited, and as tirelessly producing the spiritual sustenance vital for the court's existence. It is this honey that Emma Kirkby and Anthony Rooley have gathered in an imaginative recital that focuses on Dowland's relationship to his various patrons – among them Elizabeth I and the Earl of Essex.