Here is a worthwhile re-issue of a classic jazz-fusion release. The title track is just a sublime piece of midtempo magic, the kind of track would play on his much missed Radio 1 show (the music for a candlelight dinner section). gets to sing on this track. Elsewhere we get some jazz-funk instrumentals the best to my mind being the moody, downtempo with ronnie's soprano sax to the fore atop dreamy fendor rhodes. is an attractive ballad with singing again. With sidesmen and women of the calibre of , , and helping out, he can't really go wrong, can he?
Whirlwind is the fourth album by singer/songwriter/multi-instrumentalist Andrew Gold. It was released in 1980 on Asylum Records. It is Gold's final major label album and last solo album of any kind for over a decade.
Andrew Gold is the first album by singer/songwriter/multi-instrumentalist Andrew Gold. It was released in 1975 on Asylum Records. Linda Ronstadt, of whose band Gold was a member at the time, appears on the album.
Is a three-part video series produced by Dangerous Films featuring the physician Professor Lord Winston. It first aired on 4, 11 and 18 December 2005 on BBC One. It was rebroadcast by the Canadian Broadcasting Corporation in May and June 2006 and by the Australian Broadcasting Corporation in April 2007. series explores the origins of religion. The documentary focuses on the three Abrahamic faiths, and discusses belief in God in a scientific age.
2CD set "The Art of Fugue" is the long-anticipated 4th volume in Richard Troeger's ground breaking, world premiere series of Bach performed on the clavichord, exclusively from the Lyrichord Early Music Series. This edition features the complete Art of the Fugue, along with stunning violin transcriptions, and fantasias, including the thrilling "Chromatic Fantasia" and "Fugue." The first three volumes garnered raves reviews both here and abroad.
Vivaldi is greatly over-rated - a dull fellow who would compose the same form over many times. Such is the opinion of one of the great composers on the music of another great composer. Given the evidence of the present newly re-released complete Vivaldi cello concertos incredulity can be the only response to this assessment. But then Stravinsky was a man who voiced strong, often acerbic and sometimes outrageous opinions on virtually anything suggested to him. He had probably heard few, if any, of these cello concertos and irrespective would it have made any difference?