Praise 4 Joe: tribute to Joe Henderson. Luca Mannutza and Max Ionata retrace the musical story of the great American saxophonist, who died in 2001, in the dry form of the duo, through the famous compositions of Joe Henderson and the mature and personal interpretation of the two musicians. The dimension of the duo leads to reasoning on the structures of the pieces and on the absences: giving the right place to all the elements that make up the writing and the execution. Interpreting in duo the songbook of a composer, of an important musician, becomes a further challenge, in making ends meet the needs of a concert, a recording, a performance.
Thomas Dinger, brother of Klaus Dinger, formed 1-A Düsseldorf together with Nils Kristiansen. Although their name is very similar to the former band of Thomas, La Düsseldorf, their music sounds more experimental. They released 5 albums. After the death of Thomas Dinger in 2002, Nils Kristiansen has completed the last album, Pyramidblau, with Viktoria Wehrmeister and Steffen Domnisch as a tribute to Thomas Dinger.
Soulful singer and guitarist Tab Benoit has never made secret his devout allegiance to the Louisiana music tradition. With The Sea Saint Sessions, Benoit, ably assisted by several Crescent City stalwarts, takes his music back to the source, setting up shop at the famed hit factory to cook up a sonic gumbo that successfully recaptures the spontaneity of the classic Sea Saint sound. Benoit's guests conjure up some of the studio's old musical magic as "Big Chief" Monk Boudreaux infuses Mardi Gras Indian spirit into "Monk's Blues," Meter man George Porter Jr. funkifies "Making the Bend," and Cyrille Neville sings on his own "Plareen Man". But it is Benoit's distinctive guitar lines–somehow both supple and hard-edged–and the impeccable elasticity of his regular rhythm section that makes the music work. Most of the material is Benoit's own, although he pays tribute to Louisiana legend Guitar Slim with a take on the classic "Sufferin' Mind" and dips into the Howlin' Wolf songbook for a rendition of "Howlin' for My Darling".
Antonio Caldara is one of those composers from Italy whose career brought him to Vienna, where he composed and performed mainly oratorios. He started his career in Venice where he was born in 1670 and where he studied with Giovanni Legrenzi. Being an accomplished cellist he was probably a member of the orchestras of the opera houses in Venice. In the 1690's he published two collections of trio sonatas, which are following the example of Corelli. His first opus, published in Venice in 1693, was again published by Roger in Amsterdam in 1698, a sign of their popularity. The chaconne which concludes his collection of 12 trio sonatas opus 2, could be interpreted as a tribute to Corelli, who also concludes his opus 2 with a chaconne.
The concept of a compilation of Bob Dylan's gospel songs is certainly an idea whose time has come. That this does not feature Dylan performing the original versions of these songs is yet another. Executive producer Jeffrey Gaskill assembled a wide-ranging assortment of the hottest talent in the gospel arena, both past and present, to perform the songs from Dylan's Slow Train Coming and Saved albums, and producer Joel Moss extracted phenomenal performances from Shirley Caesar, the Fairfield Four, the Sounds of Blackness, Rance Allen, the Chicago Mass Choir fronted by Regina McCrary (who sang backup for Dylan on the 1978 and 1979 tours when these recordings were originally done), the Mighty Clouds of Joy, Helen Baylor (with Billy Preston), Aaron Neville, Dottie Peoples, Lee Williams & the Spiritual QC's, Mavis Staples, and Dylan himself (performing a duet on a completely rewritten version of "Gonna Change My Way of Thinkin'").