Very few conductors have recorded as much Bach as Karl Richter and none can lay a stronger claim to a legacy based on championing the master. Richter's reverence for Bach is evinced by the simplicity, splendor, and grandeur with which he consistently imbued his performances exemplified here by these landmark recordings of the Brandenburg Concertos and Orchestral Suites. In Archiv's original-image bit-processing remastered transfers as well, the sound is better than ever. This is cornerstone Bach that should not be missed.
Although the cover art might suggest that this compiles, features, or in some way includes material from Michael Nesmith's four-year (1966-1970) tenure as a Monkee, this isn't the case at all. Additionally confusing matters is that the same 25 tracks on this collection are replicated – right down to the exact running order – on the unimaginatively titled Best Of: Original Hits. Regardless, the contents of both have been culled from Nesmith's first half-dozen post-Monkees long-players. The tune stack is well represented by the First National Band LPs Magnetic South (1970), Loose Salute (1970), and Nevada Fighter (1971) – plus, to a much lesser extent, Tantamount to Treason (1972), And the Hits Just Keep on Comin' (1972), as well as Pretty Much Your Standard Ranch Stash (1973). Nesmith's penchant for penning quirky country & western-flavored pop songs can be directly traced back to his Monkees material, such as "St. Matthew," "Good Clean Fun," and "Magnolia Simms." During this period he was also woodshedding material for future endeavors.
Alice Coltrane never had an easy time of it with critics. That she was able to pursue her rugged musical vision in the midst of controversy (many claimed she was "the Yoko Ono of the John Coltrane Quartet," in that she replaced McCoy Tyner when Trane decided to shift the focus of his band) is, in retrospect, a heroic act, though, humble as she is, she would never see it that way. This double-LP live set recorded at UCLA in 1978, reveals in total the ambitious and profound free jazz and universal musical frontiers Ms. Coltrane was able to explore in both small and larger groups.
Heathen Chemistry is the fifth studio album by the English rock band Oasis, released in 2002. The album was written and recorded with a back-to-basics sound with a more rock feel to it; the more crude and simple sound differs from the musical grandiosity of their previous records, Be Here Now (1997) and Standing on the Shoulder of Giants (2000), being more comparable to their early work.
Best known for co-founding soft rock hitmakers Bread, singer/songwriter James Griffin also won an Academy Award for co-authoring 1970's smash "For All We Know".