"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.
The soundtrack to Frank Zappa's strange early-'70s film 200 Motels was always doomed to be a peripheral entry in his discography. The movie's story was not easy to follow, and neither is the record (not that plot was ever a big focus of the production). It's typically wacky Zappa of the era, with unpredictable sharp turns between crunchy rock bombast, orchestration, and jazz/classical influences, as well as interjections of wacky spoken dialogue. Those who like his late-'60s/early-'70s work – not as song-oriented as his first albums, in other words, but not as "serious" or as silly as his later records – will probably like this fine, although it's not up to the level of Uncle Meat.
This live record was recorded with the Flo & Eddie incarnation of the ever-changing Mothers line-up. The vocal duo, which had considerable chart success as the Turtles, parodied their success as "rock stars" here, and Zappa utilized their soul and doo-wop-style vocals for maximum comedic effect. The set works as a comedy record as much as anything else. They perform their huge hit "Happy Together," but it's done as a goof. Zappa and Flo & Eddie talk over the backbeat like standup comics.
Tutto Buffo, Paolo Bordogna's debut solo release on Decca, is a generous collection of comic bass-baritone arias by Wolfgang Amadeus Mozart, Gioachino Rossini, Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini, Pietro Mascagni, and Nino Rota. Accompanied by the Filarmonica Arturo Toscanini under Francesco Lanzillotta, Bordogna gives an engaging recital that emphasizes the exceptional vocal skills required to make these roles truly musical and not just parts played for laughs.