The 20th-Century Cello performed by Matt Haimovitz is a great way to wade into the waters of 20-century music. His technique and musicality are inspiring and the 3-CD collection of pieces is extensive and diverse. It is a great value and a great educational tool for aspiring cellists.
Welcome to this first tutorial in the “The Hollywood Film Studio Logo Animation Series”. After 75 years, the iconic 20th Century Fox logo is still a reference for many 3d artists. So today we’ll analyze the historical aspects, the style used, and how to easily create some of the elements in the scene (capitals, moldings, etc..) in Cinema 4D.
The pianist on this CD, Yulliana Avdeeva, is the winner of the Chopin piano competition in 2010. Checking the internet, you will find that the decision by the jury was controversial. Her playing was considered not to display the proper Chopin style, and too cool. I wasn't present at the competition, so I cannot write much about this. But having bought this CD, mainly because of use of old instruments, and the direction by the recently deceased icon of old music Frans Brüggen, I must say that I was totally blown away by the playing of Yulianna Avdeeva.
This six-disc boxed set offers a broad survey of a hundred years of Finnish chamber music, featuring more than sixty performers and twenty composers – between the late Romanticism of Toivo Kuula’s Piano Trio (1908) and the postmodernism of Veli-Matti Puumala’s String Quartet (1994). Highlights include songs by Aare Merikanto sung by Soile Isokoski, Einojuhani Rautavaara’s Rilke song cycle, sung by Marcus Ullman, and Joonas Kokkonen’s third string quartet, performed by the Sibelius Quartet.
It's a tall order to compile the best classical music of the twentieth century, but EMI has selected its top 100 classics for this six-disc set, and it's difficult to argue with most of the choices. Without taking sides in the great ideological debates of the modern era – traditionalist vs. avant-garde, tonal vs. atonal, styles vs. schools, and so on – the label has picked the composers whose reputations seem most secure at the turn of the twenty-first century and has chosen representative excerpts of their music. Certainly, the titans of modernism are here, such as Igor Stravinsky, Arnold Schoenberg, Béla Bartók, Dmitry Shostakovich, Sergey Prokofiev, Claude Debussy, and Benjamin Britten, to name just a few masters, but they don't cast such a large shadow that they eclipse either their more backward-looking predecessors or their more experimental successors.