Though his influence proved less durable than his record sales, Frankie Laine was one of the most popular vocalists of the 1950s, swinging jazz standards as well as half a dozen Western movie themes of the time with his manly baritone. Laine's somewhat artificial Western nature proved more successful in far-off England, where he set two chart records in 1953: his version of "I Believe" stayed at number one in the U.K. for an incredible 18 weeks, and his two subsequent chart-toppers that year ("Hey Joe," "Answer Me") set a record by putting Laine at number one for 27 weeks during the year.
Blimey! They don’t come much more frenetic or savage than this - a riotous reading of LTIA pt1 emerging from a down 'n’ dirty intro/improv. Pausing only to catch breath in David’s solo (here with additional guitar shadings) before taking off again. “That was a good ending” says an approving Bill Bruford before they duck and dive their way through an especially crunchy Dr Diamond. The fun continues during Easy Money with ornery and cussed clusters taking flight from the fretboard like a bunch of punch-drunk wasps, ready to sting wherever they land.
This brilliant CD series entitled "Didn't It Blow Your Mind, Soul Hits Of The 70s" is a 20-volume anthology of excellent R&B music from the 1970s. Each CD features several artists of the R&B genre, performing songs that helped to shape their generation. This is like having your very own 70s Soul Music party. Great R&B classics don't get any better than this, and Rhino brings it to you in one amazing, top-knotch series.
Capitol's Collection of Roxette Hits: Their 20 Greatest Songs collects 12 album tracks, a couple of remixes, four singles, and two new cuts ("Reveal" and "One Wish") that dutifully sum up the hook-filled careers of Swedish pop masters Marie Fredriksson and Per Gessle…
The twenty sonatas on this recording show Handel writing for the professional musicians of his London opera orchestra; they demand considerable skill and stamina both from the soloist and the continuo. Prominent bass parts give the sonatas a contrapuntal strength and vitality, and Handel keeps the elements of display and purely musical argument in admirable balance in these works. For this reason, they are among the most attractive Baroque solo sonatas and deserve their lasting popularity.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Since Almoraima (1976) Paco had not recorded an album which we could call authentically Flamenco. Not like his early recordings, which centred on classic guitar toques as played in concert. On Siroco, he abandons for the moment the sound of The Sextet to mark out in eight pieces the new vanguard of Flamenco creation. A record for lovers of good music, a mature and worthy work.