Released in conjunction in 2002 with the four-disc box set Walking to New Orleans, as well as three other titles in EMI/Capitol's Crescent City Soul series, The Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them becomes the definitive single-disc Fats collection on the market nearly by default – it's remastered, it's the one in print, and it has a flawless selection of songs. It's not markedly better than, say, the '90s' definitive Fats compilation, My Blue Heaven, since it has essentially the same track selection and even if the tapes were restored to their originally running speed, the difference is not enough for most ears to notice, but it's still a great collection of some of the greatest music of its time, and it summarizes Domino's peaks excellently. So, if you don't already have a Fats Domino collection, this surely is the one to get.
Stevie Wonder is a much-beloved American icon and an indisputable genius not only of R&B but popular music in general. Blind virtually since birth, Wonder's heightened awareness of sound helped him create vibrant, colorful music teeming with life and ambition. Nearly everything he recorded bore the stamp of his sunny, joyous positivity; even when he addressed serious racial, social, and spiritual issues (which he did quite often in his prime), or sang about heartbreak and romantic uncertainty, an underlying sense of optimism and hope always seemed to emerge. Much like his inspiration, Ray Charles, Wonder had a voracious appetite for many different kinds of music, and refused to confine himself to any one sound or style. His best records were a richly eclectic brew of soul, funk, rock & roll…
20 Greatest Hits contains every one of Loretta Lynn and Conway Twitty's hits from the '70s, including the number one singles "After the Fire Is Gone," "Lead Me On," "Louisian Woman, Mississippi Man," "As Soon As I Hang Up the Phone," and "Feelins'." In addition to the obivious hit singles, there are a number of lesser-known album tracks which are, with only a few exceptions, the equal of the hits. In short, 20 Greatest Hits presents the very best of perhaps of the greatest country duet team of the '70s and is a necessary addition to any country record collection.
STREET LIFE is a collection that, with barely a misstep, arranges the career of Bryan Ferry into a brilliant, nearly chronological 20-track retrospective, with material from both Roxy Music and his concurrent solo career. The first ten tracks, from pre-1979, show Ferry and the band in their loose, glam rock mode, freely toying with other musical styles as the mood takes them. It includes classics like "Virginia Plain," "Pyjamarama," and "Do the Strand," along with a funny, and slightly surreal, take on Bob Dylan's "A Hard Rain's A-Gonna Fall" and Ferry's smooth interpretation of "Smoke Gets in Your Eyes" (from his ANOTHER TIME, ANOTHER PLACE solo album).
Probably the best single CD collection of CCR. This is the first press issue from Fantasy Records and has a DR14 which is the highest score I have seen of this album on a CD. Some sources list this as 1990 and others list it as 1991. Note that this is the first press issue from Fantasy but not the first issue of this album on CD.
Album released in Spain in 1979 compilation of 20 of the biggest hits, in the period from 1968 to 1973, by singer, guitarist and record producer Neil Leslie Diamond U.S. (New York, 1941). After 50 years in the world of music Neil has sold over 128 million albums worldwide (nearly 50 million U.S.). Diamond is a charismatic singer and renowned for his perfectly modulated voice, which allows all kinds of musical styles (pop, folk, country, rock, gospel, jazz, reggae, ballad, etc..). He is considered the third most prominent singer of the American Billboard charts behind Barbra Streisand and Elton John.
Album compilation of 20 of the hits who immortalized with their guitars 'Los Indios Tabajaras', the Brazilian duo formed by brothers Herundy and Mussapere. It's known the duo evolution as guitar players, from the beginning self-taught until later in development and training technique. Though undervalued by many, precisely because of that origin, 'Los Indios Tabajaras' universally accompanied us for over half a century (between 1957 and 2009) with a very personal style interpretation of classical and popular melodies from around the world, though preferably Latin music.
The Platters were a vocal group formed in LA in 1953. Their transformation from doo-wop to pop and rock and roll helped bridge the gap between tin pan alley and the modern era of pop music.