New York-born singer Indra Rios-Moore, now living in Barcelona, releases her new album “Carry My Heart”. It comes right after her pretty successful (at least in Europe) “Heartland” album. One of the most sympathetic features of the album is the fact that Indra wanted to record an optimistic record because there was (and is) simply too much whining going on. Not that most of the current matters aren’t disheartening, but it feels good to be warmed and eased by Indra’s warm and caressing voice on covers such as “I Can See Clearly Now” or Curtis Mayfield’s “Keep On Pushin'”. Still, you can file this one under “protest” albums, too because during the writing process, a certain Drumpf took over the White House.
Keyboardist Kevin Moore will be familiar to fans of modern progressive rock through his work as a former member of Dream Theater and from his solo work under the name Chroma Key; more recently, he has worked with several other prog luminaries in the experimental supergroup O.S.I. But Ghost Book is an almost purely solo endeavor, a soundtrack album consisting of work commissioned by Turkish novelist Dogu Yucal for use in the film adaptation of his novel Havalet Kitap (or "Ghost Book"). Yucel was a longstanding fan of Moore's work in Dream Theater and had quoted some of the band's lyrics in his novel, so the pairing was natural…
Blues Alive is a live album by Irish guitarist Gary Moore, released in 1993. It is a collection of recordings taken from his 1992 tour and draws most of its material from Moore's then-recent Still Got The Blues and After Hours albums. The Japanese Limited Edition includes a bonus CD single.
Gary Moore's tribute to Fleetwood Mac guitarist Peter Green, Blues for Greeny, is more of a showcase for Moore's skills than Green's songwriting. After all, Green was more famous for his technique than his writing. Consequently, Moore uses Green's songs as a starting point, taking them into new territory with his own style. And Moore positively burns throughout Blues for Greeny, tearing off licks with ferocious intensity. If anything, the album proves that Moore is at his best when interpreting other people's material – it easily ranks as one of his finest albums.
Not wanting to leave a good thing behind, Moore reprises Still Got the Blues on its follow-up, After Hours. While his playing is just as impressive, the album feels a little calculated. Nevertheless, Moore's gutsy, impassioned playing makes the similarity easy to ignore.
"Shine" is the second and most recent soundtrack album by Kevin Moore (Chroma Key, Dream Theater, O.S.I.). It was composed for the Turkish film Kucuk Kiyamet (“Little Apocalypse“), a supernatural, post-traumatic drama centered on Turkey's recent earthquakes.
Still Got the Blues is the eighth solo studio album by Northern Irish guitarist Gary Moore, released in 1990. It marked a substantial change in style for Moore, who, prior to this album, was predominantly known for rock and hard rock music with Skid Row, Thin Lizzy, G-Force, Greg Lake and during his own extensive solo career, as well as his jazz-fusion work with Colosseum II. As evidenced by its title, Still Got the Blues saw him delve into an electric blues style. The album features guest contributions from Albert King, Albert Collins and George Harrison. The title track was released as a single and reached No. 97 on the Billboard Hot 100. The album reached No. 83 on the Billboard 200 on 16 February 1991, then was certified gold on November 1995. This was the most successful album both in sales and chart positions from Gary Moore in the US.
This compilation CD has material recorded by Gary Moore between 1977 and 1979, when he was signed under MCA label, and issued on albums and singles either as a solo artist as well as a member of Colosseum II. Four songs: Back On The Streets, Fanatical Fascists, Don't Believe A Word and Parisienne Walkways come from his second solo album titled Back On The Streets, originally issued in december 1978. All these four songs fwature Phil Lynott of Thin Lizzy in a way or another. Back On The Streets has Phil Lynott on backing vocals, Fanatical Fascists was written by Lynott, Don't Believe A Word (a Lizzy song played here in a slower tempo) and Parisienne Walkways have both Lynott on lead vocals. Musicians on these four songs are Gary Moore (guitar and vocals), Phil Lynott (bass and vocals), Don Airey (keyboards), Simon Phillips (drums). Parisienne Walkways has Thin Lizzy's Brian Downey on drums.