This disc by the former Joe Ely guitar player Ian Moore bears little resemblance (other than the high octane quality) to the music he made with Ely, and owes much more to the Beatles and the psychedelic movement. You are still able to discern his underlying feel of the blues. This is a long leap, but it is a very positive broad step out. Moore either wrote or co-wrote ten of the 11 songs on the disc, and there are no weak ones; nor do they fall into any repetitiveness or follow any formula.
In 1992, Dave Holland took a break from his extended residency at ECM to record his second solo bass outing, Ones All, for Intuition. In contrast to the abstract territory Holland explored with 1977's Emerald Tears, Ones All probes a more straightforward vein and feels very much like a jazz record despite its unconventional instrumentation. Holland's seemingly limitless capacity for harmonic and rhythmic invention is completely in evidence as he moves through this collection of six originals and four standards (plus one tune by Holland's fellow bassist Michael Moore).
ESSENTIAL MONTREUX is a special edition, five CD box-set, by Northern Irish, blues rock guitarist and singer, Gary Moore. The box-set features five out of the six performances Gary Moore made at the Montreux Jazz Festival. His live performances at Montreux that feature in this box-set are Live at Montreux 1990, 1995, 1997, 1999 and 2001.
Trombonist J.J. Johnson, 64 at the time of Quintergy, is heard in top form on this Live at the Village Vanguard set. His quintet, which includes Ralph Moore on tenor and soprano, pianist Stanley Cowell, bassist Rufus Reid and drummer Victor Lewis, is perfectly suited to interpret the spirited set of advanced bop. Highlights include Johnson's feature on "You've Changed," "Coppin' the Bop," "Lament" and his unaccompanied playing on "It's All Right with Me." Excellent music. Another Antilles CD, Standards, comes from the same sessions.