1st Report (session 1998 99)

Tone Report Weekly - Issue 99 (October 30, 2015)  Magazines

Posted by Karabas91 at Oct. 30, 2015
Tone Report Weekly - Issue 99 (October 30, 2015)

Tone Report Weekly - Issue 99 (October 30, 2015)
English | True PDF | 68 pages | 88 MB

The Premier Pedal Publication. Tone Report is a publication for guitar players obsessed with great tone. Featuring the newest gear reviews, interviews with both musicians and builders, DIY articles, and the best tone-tips around. For guitarists everywhere- play till your fingers bleed.
Featuring: • Old-School Slapback Machines • Tips for Integrating Multi-Effects with a Pedalboard • Five Gig-Ready Guitars for $500(ish) or Less • Starting a Home Studio Part II: Getting the Sound • Reviews and More!

Monte Montgomery - 1st And Repair (1998)  Music

Posted by countryfreak at Oct. 16, 2011
Monte Montgomery - 1st And Repair (1998)

Monte Montgomery - 1st And Repair (1998)
EAC Rip | FLAC (Image) + CUE + LOG | 400 MB | + Covers
Genre: Blues/Texas Blues | Label: Heart Music | Catalog Number: 0020-60016-2 | Release Date: Jan 27, 1998
RAR 5% Rec. | Rapidshare + Filesonic

Monte Montgomery tears it up on the fretboard and the mic, and he's brought a strong rhythm section just for reinforcement. His guitar playing describes a true wealth of sounds–just picture a slap-bass player on an acoustic steel string with a penchant for Stevie Ray Vaughn, and you'll be in the ballpark. At the same time, his blazing fingerstyle, precise, percussive accompaniment, and exceedingly creative use of harmonics are only part of his truly unique guitar style. And Montgomery's outstanding technique does not prevent him from delivering a clear, melodic solo that dances through the changes.The folk-tinged songwriting is well developed, and this man's got stuff to say about life and love. In fact, Montgomery is an impressive, versatile vocalist in his own right……

VA - The Ace Blues Masters Vol.1-4 (1998/99)  

Posted by countryfreak at Sept. 6, 2010
VA - The Ace Blues Masters Vol.1-4 (1998/99)

VA - The Ace Blues Masters Vol.1-4 (1998/99)
EAC Rip | FLAC (Image) + CUE + LOG | 1.2 GB | + Covers
Genre: Blues/Regional Blues/Urban Blues | RAR 5% Rec. | RS.com

With the exception of the late Amos Milburn, all of the artists presented here have proved to be survivors. None of them is young any more and each has suffered years if not decades of neglect and hardship. But on the brighter side, Charles Brown and Floyd Dixon are now receiving the sort of recognition and honours that equal and perhaps in some ways surpass the fame they enjoyed in their heyday. As for H-Bomb Ferguson, bis own resurgence has ensured that his wigs are made from the best materials.
Ah, Beale Street. lf you‘re into the blues, there are locations that conjure with the imagination. In Chicago, it‘s Maxwell Street, in Detroit, Hastings Street, in Los Angeles, Central Avenue. But for longevity and romance, incident and especially music, most bluesfans would set their feet on Beale Street‘s weaving sidewalk in any decade between the 20s and the 50s. Not that many white people did until the latter decade, for the area was as lawless as it was libidinous. Authorities left Beale Streeters to their own devices, sending in the wagons after dawn to clear away the bodies accrued from another night‘s misadventures…..
The Mopes - yes, Discography! (1998-99) [Both OOP Albums] RESTORED

The Mopes - yes, Discography! (1998-99) [Both OOP Albums]
= Lowdown, Two-Bit Sidewinder! (EP '1998) & Accident Waiting To Happen (1999) =
EAC | FLAC+CUE+LOG or MP3 CBR 320 | Complete PNG Scanwork | 108/225 mB
Surf-Punk, Rock & Roll / Dan Schafer's another band, pre-Methadones / Lookout Records imprint

Manchester United - 1998/1999 Official Season Review - The Treble  Video

Posted by best_football_moments at June 26, 2009
Manchester United - 1998/1999 Official Season Review - The Treble

Manchester United - 1998/1999 Official Season Review - The Treble
XVID | 576 x 432 | 25.00fps | 1255Kbps | AC3 224kbps | 01:05:44 | 1.4GB

Manchester United - 1998/1999 Official Season Review - The Treble

Buckcherry. Just BuckCherry (Updated CDgraphy 1998-2014) RESTORED
Buckcherry. Just BuckCherry (Updated CDgraphy 1998-2014)
10x FLAC+CUE+LOG or MP3 CBR 320 | Complete Scanwork / + 3DVD | 3,32 or 1,19 GB
File under: Hard Rock, Neo Glam, Adult Alternative, Rock & Roll …

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Fleetwood Mac - London Live '68. The Masters (1998) {Reissue}  Music

Posted by popsakov at Jan. 22, 2017
Fleetwood Mac - London Live '68. The Masters (1998) {Reissue}

Fleetwood Mac - London Live '68. The Masters (1998) {Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 304 Mb | MP3 CBR320 ~ 123 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Blues, Blues Rock | Eagle Records #EAB CD 091 / GAS 0000091 EAB

Though they ultimately made their name as a blues-rock band, and Peter Green's admiration of artists like Jerry Garcia eventually found its way into their music, Fleetwood Mac began as a straight-ahead blues band. A bunch of Brits devoted to the music of Chicago and the Delta, Green and company couldn't help but put their own twist on the blues, but they were simultaneously reverential towards it. This is the situation presented in this 1968 live recording. While the sound quality is less than stellar, it's good enough to make the guitar talents of Green and Jeremy Spencer obvious, as they work up effective solos over "Got To Move"…

Pablo's Eye - 2 Albums (1991-1998)  Music

Posted by gribovar at Jan. 21, 2017
Pablo's Eye - 2 Albums (1991-1998)

Pablo's Eye - 2 Albums (1991-1998)
EAC Rip | FLAC (image+.cue+log) - 511 MB | MP3 CBR 320 kbps (LAME 3.93) - 222 MB | Covers included
Genre: Electronic, Ambient, Experimental | RAR 3% Rec. | Label: Celsius Blanco Records, Swim~

Pablo’s Eye started working as a collective in 1989, a flexible project in which additional members were always welcome to participate. Making music was important but sharing the same artistic attitude was the main focus. Their wish was to remain simple and open by mixing different musical forms, cultures, and ideas. Their common goal has always been to create a feeling of travelling in time and space, by going from past memories to future hopes. Their aim remains to express the ideal and explore the real through both personal and global stories…

Ray Anderson Lapis Lazuli Band - Funkorific (1998)  Music

Posted by Designol at Jan. 19, 2017
Ray Anderson Lapis Lazuli Band - Funkorific (1998)

Ray Anderson Lapis Lazuli Band - Funkorific (1998)
EAC | FLAC | Image (Cue&Log) ~ 365 Mb (incl 5%) | Mp3 (CBR320) ~ 167 Mb (incl 5%) | Scans included
Genre: Mainstream Jazz, Post-Bop, Vocal Jazz | Label: Enja | # ENJ-9340 2 | Time: 00:54:43

This seeks to be a good-time record while maintaining the musical intelligence that listeners should expect from Anderson. "Putting the cookies on a lower shelf" can be dangerous if the artists are too busy worrying about public taste to do any real cooking, but it's obvious from the start that the players (Amina Claudine Myers, organ, piano; Jerome Harris, guitar; Lonnie Plaxico, bass; Tommy Campbell, drums) are having a blast themselves. I can't imagine any complaints about anyone's contributions instrumentally. The rhythm team swings, Anderson sounds just great, Myers and Harris shine throughout, and the trombone-organ-guitar ensembles are downright dangerous. The four vocal tracks feature Myers and Anderson solo and in tandem: gutsy, extroverted performances of intelligent lyrics by Jackie Raven. This music is hard to describe but it's natural and infectious, somewhat comparable to Mose Allison, but hotter.

Herbie Hancock - Mr. Funk: 1972-1988 The Columbia Years (1998)  Music

Posted by BlondStyle at Jan. 19, 2017
Herbie Hancock - Mr. Funk: 1972-1988 The Columbia Years (1998)

Herbie Hancock - Mr. Funk: 1972-1988 The Columbia Years (1998)
Jazz, Jazz-Funk | EAC Rip | FLAC, Tracks+CUE+LOG+Scans-300dpi (JPEG) | 76:43 Min | 508,48 Mb
Label: Sony Music Entertainment (France) S.A. | Released: 1998-10-19

Opening with the Head Hunters version of "Watermelon Man" and closing with the electro-embracing crossover hit, "Rockit," Mr. Funk is a semi-random skip across Hancock's Columbia recordings, and it technically spans 1973-1983 (at least going by release dates), rather than the 1972-1988 range printed on its cover.