Best known as a superior and advanced cool-toned trumpeter, Tom Harrell shows throughout this consistently brilliant set that he has also developed into an excellent composer and a particularly talented arranger. All ten songs and arrangements are his, and the music both swings and is quite original. Harrell doubles on flügelhorn and utilizes a wide variety of interesting musicians, including clarinetist Greg Tardy (who plays beautifully on the opening "Petals Danse"), acoustic guitarist Romero Lumbambo (heard on the more Brazilian-oriented numbers), the great free bop tenor Dewey Redman, pianist Danilo Perez, electric guitarist Mike Stern, tenorman David Sanchez, and several strings (including Regina Carter) among others.
…Marianne has spent her life researching this work. She displays that rare intelligence that allows all "misfortunes" to be converted to her benefit. There is a detachment that allows one to be intimately involved with, but not consumed by this type of work. This is her best work in quite some time. She deserves all the accolades that come her way as a serious singer who can pull off the piece. A wonderful disc from one whose live presence we must count as miraculous considering what she has lived through.
The Midgets is an album by jazz trumpeter Joe Newman's Septet recorded in 1956 for the RCA Records subsidiary Vik label. Glossy Cover, Arranged by Ernie Wilkins, conducted by Joe Newman, Recorded at Webster Hall, New York City, July, 1956. Joe Newman on trumpet, Frank Wess on flute, Barry Galbraith on electric guitar, Freddie Green on rhythm guitar, Hank Jones on piano and organ, Eddie Jones on bass, and Osie Johnson on drums.
With longtime bassist Steve Swallow, the return of drummer Roy Haynes, and the debut of guitarist Jerry Hahn, Gary Burton's second quartet continued his open-minded policy toward other styles of music. In addition to both melodic and advanced jazz, Burton incorporates elements of country, rock, pop and even classical music on this fairly rare LP, Country Roads and Other Places. Whether it be a "Ravel Prelude," "Wichita Breakdown" or "My Foolish Heart," the music is full of logical surprises that foreshadow the eclectic nature of much of '80s and '90s jazz.
Warm, lyrical, and aristocratic in his interpretations, Artur Rubinstein performed impressively into extremely old age, and he was a keyboard prodigy almost from the time he could climb onto a piano bench. He came from a mercantile rather than a musical family, but fixated on the piano as soon as he heard it. At age three he impressed Joseph Joachim, and by the age of seven he was playing Mozart, Schubert, and Mendelssohn at a charity concert in his hometown.