1998 Rca

Lou Reed - Berlin (1973) [1998 RCA 07863 67489 2]  

Posted by Sartre at March 12, 2011
Lou Reed - Berlin (1973) [1998 RCA 07863 67489 2]

Lou Reed - Berlin (1973) [1998 RCA 07863 67489 2]
Rock | EAC Rip | Lossless FLAC+Log+Cue+Covers -> 270MB | Nitroflare/1Fichier

Transformer and "Walk on the Wild Side" were both major hits in 1972, to the surprise of both Lou Reed and the music industry, and with Reed suddenly a hot commodity, he used his newly won clout to make the most ambitious album of his career, Berlin. Berlin was the musical equivalent of a drug-addled kid set loose in a candy store; the album's songs, which form a loose story line about a doomed romance between two chemically fueled bohemians, were fleshed out with a huge, boomy production (Bob Ezrin at his most grandiose) and arrangements overloaded with guitars, keyboards, horns, strings, and any other kitchen sink that was handy
Gary Burton - Country Roads & Other Places (1969) {RCA-Koch Jazz rel 1998}

Gary Burton - Country Roads & Other Places (1969) {RCA-Koch Jazz rel 1998}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 170 Mb | MP3 @320 -> 79 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1969, 1998 RCA / BMG / Koch Jazz | KOC CD 7854
Jazz / Post Bop / Vibes

With longtime bassist Steve Swallow, the return of drummer Roy Haynes, and the debut of guitarist Jerry Hahn, Gary Burton's second quartet continued his open-minded policy toward other styles of music. In addition to both melodic and advanced jazz, Burton incorporates elements of country, rock, pop and even classical music on this fairly rare LP, Country Roads and Other Places. Whether it be a "Ravel Prelude," "Wichita Breakdown" or "My Foolish Heart," the music is full of logical surprises that foreshadow the eclectic nature of much of '80s and '90s jazz.

Henry Mancini - The Latin Sound Of.... 1965 (1998)  Music

Posted by Ibiza at March 10, 2009
Henry Mancini - The Latin Sound Of....  1965  (1998)

Henry Mancini - The Latin Sound Of…. 1965
Instrumental | mp3 320 Kbps | 73 MB
BMG Music 1998
John Pizzarelli - John Pizzarelli meets The Beatles (1998) Japanese Reissue 2007

John Pizzarelli - John Pizzarelli meets The Beatles (1998) Japanese Reissue 2007
EAC | FLAC | Image (Cue&Log) ~ 335 Mb (incl 5%) | Mp3 (CBR320) ~ 161 Mb (incl 5%) | Scans included
Vocal Jazz, Swing, Guitar Jazz, Pop/Rock | Label: RCA/BMG Japan | # BVCJ-37562 | Time: 00::

Beatles fans love to explain that the key to the successful partnership of John Lennon and Paul McCartney was their contrasting songwriting personalities – Lennon was the tongue in cheek sardonic wit, McCartney the earnest balladeer. On John Pizzarelli Meets the Beatles, a sharply conceived tribute which sets the duo's classics in a jazz trio with big-band arrangements, the singer/guitarist hits the mark more often when he's taking on the Lennon persona. He approaches "Cant' Buy Me Love," "When I'm 64," and "Get Back" with a playful wink, jumping off his speedy melody lines and the rising brass sections for extended improvisational tradeoffs with pianist Ray Kennedy, and adding colorful touches like scatting and even ad libbing his own lyrical verses based on the originals. Likewise, he attacks the all-instrumental "Eleanor Rigby" with a jumpy, swinging aggression. Pizzarelli, however, becomes overly schmaltzy in presenting ballads like "You've Got to Hide Your Love Away" and "Long and Winding Road" too seriously, with maudlin, straightforward arrangements that grind the party to a halt. The one exception is the more percussive "Oh Darling," where his intense vocal helps the tune rise above the hotel lounge mentality.
Denny Zeitlin - Zeitgeist (1967) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 81}

Denny Zeitlin - Zeitgeist (1967) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 81}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 249 Mb | MP3 @320 -> 113 Mb
Full Artwork @ 600 dpi (png) -> 269 Mb | 5% repair rar
© 1967, 2015 Columbia / Sony Music Japan | SICJ 81
Jazz / Hard Bop / Post Bop / Contemporary Jazz / Piano Trio

Reissue with the latest 2015 DSD remastering. Comes with liner notes. Pianist Denny Zeitlin is sporting a beard on the cover of this fourth album for Columbia Records – and his music here definitely reflects a bit of a change from his earlier cleaner-cut image! Denny steps a bit outside at times – never to much so to make the album a session of avant jazz, but definitely showing the listener at the start that he's able to stretch out in the same way as some of the more adventurous pianists of his generation – yet really sound best as a master of lyrical understatement, as on his previous few records! Zeitlin's command of chords is wonderful – these blocks of color and subtle sound in his hands – inspired by Bill Evans, but taken in a whole new direction – and set up here in two different trios, with either Charlie Haden or Joe Halpin on bass, and Oliver Johnson or Jerry Granelli on drums. The real star of the show is always Denny.
The George Benson Quartet - The George Benson Cookbook (1966) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 34}

The George Benson Quartet - The George Benson Cookbook (1966) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 34} (ft. Dr. Lonnie Smith)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 340 Mb | MP3 @320 -> 122 Mb
Full Artwork @ 600 dpi (png) -> 300 Mb | 5% repair rar
© 1966, 2015 Columbia / Sony Music Japan | SICJ 34
Jazz / Soul Jazz / Jazz Funk / Groove / Guitar / Organ Hammond B-3

Reissue with the latest remastering. Comes with liner notes. While the phenomenal success of George Benson’s Breezin’ (1976) album may have fattened his wallet; it led the guitarist down a path that dismayed jazz critics worldwide. Indeed, the bulk of Benson’s albums over the past 20 years have featured considerably less jazz and, unfortunately, more pop. Not so with The George Benson Cookbook (1966). This sizzling CD features the then young, hotshot string-picker on 14 swingin’ bebop/soul-jazz tracks. Benson kicks things off in rapid fashion with the aptly titled, "The Cooker." Not only does this track feature blazing licks from Benson, but baritone saxophonist Ronnie Cuber and organist Lonnie Smith also weigh in with tasty solos.
George Benson - It's Uptown (1966) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 33} (ft. Dr. Lonnie Smith)

George Benson - It's Uptown (1966) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 33} (ft. Dr. Lonnie Smith)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 382 Mb | MP3 @320 -> 143 Mb
Full Artwork @ 600 dpi (png) -> 324 Mb | 5% repair rar
© 1966, 2015 Columbia / Sony Music Japan | SICJ 33
Jazz / Hard Bop / Jazz Pop / Soul Jazz / Guitar / Organ Hammond B-3

Reissue with the latest remastering. Comes with liner notes. George Benson's first LP for Columbia – a hard, heavy, soul jazz slammer that bears no resemblance to his overproduced work of the 70s! The album's a real cooker – recorded hot on the heels of Benson's classic work on Prestige with the Jack McDuff group, and sounding a lot like McDuff's hard wailing organ jazz of the same time. George is working with a group that features a young Lonnie Smith on organ, plus Blue Mitchell on trumpet, Ronnie Cuber on sax, and Charlie Persip on drums – all tightly coming together, and jamming hard on the album's short cooking tracks. Tracks include "Clockwise", "Jaguar", "Hello Birdie", and "Bullfight". Plus, the CD adds five bonus tracks, including "Sideman", "Minor Chant", and the previously unreleased "J.H. Bossa Nova" and "Clockwise (Alternate Take)".
Johnny Hartman - The Johnny Hartman Collection 1947-1972 (1998)

Johnny Hartman - The Johnny Hartman Collection 1947-1972 (1998)
XLD Rip | FLAC (Tracks) +cue, log - 571 MB | MP3 CBR 320 kbps - 275 MB | 01:59:41
Jazz, Vocal Jazz, Pop | Label: HIP-O | Release Year: 1998

The first comprehensive compilation EVER to focus on this all-time great jazz vocalist, featuring his recordings for Savoy, RCA Victor, Mercury, Bethlehem, ABC, Roost (Blue Note), Jubilee and Impulse! And, of course, inside are highlights from his Bridges of Madison County soundtrack and his tremendous collaboration with John Coltrane. 38 tracks-eight never on CD-including Lush Life; I Let a Song Go Out of My Heart; September in the Rain; Goodbye , and more.
Chung Trio, Philharmonia Orchestra, Patrick & Pascal Gallois - Beethoven: Triple Concerto; Romances (1998)

Ludwig van Beethoven - Triple Concerto; Romance in E minor; Violin Romances (1998)
Kyung-Wha Chung, violin; Myung-Wha Chung, cello; Patrick Gallois, flute; Pascal Gallois, bassoon
Philharmonia Orchestra; Myung-Whun Chung, conductor & piano

EAC | FLAC | Tracks (Cue&Log) ~ 275 Mb (incl 5%) | Mp3 (CBR320) ~ 155 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 453 488-2 GH | Time: 00:55:45

Beethoven’s Triple Concerto, completed about the same time as the Eroica Symphony, has suddenly become popular. One reason for its previous lack of popularity was the fact that three soloists cost three times as much as one normally expensive pianist, violinist or cellist. Another reason is that the work seeks to be a popular success, hence the Rondo alla Polacca with which it concludes. The piano part was intended for Beethoven’s patron and pupil, the Archduke Rudolph von Habsburg, and hence is less technically demanding than the composer’s usual pianistic writing, destined for himself. The standard CD (previously LP) of the work was a spectacular performance and recording made by EMI many years ago with David Oistrakh, Rostropovich and Richter with the Berlin Philharmonic under Karajan. It was opulently played with the BPO’s luscious sound, but has little to do with what Beethoven would have heard in 1804. Another choice was the version of Stern, Rose and Serkin (Sony), less lush and not so high-powered as Karajan’s.
Steven Isserlis,  Roger Norrington - Joseph Haydn: Cello Concertos in C & D; Sinfonia Concertante (1998)

Joseph Haydn - Cello Concertos in C & D; Sinfonia Concertante (1998)
Steven Isserlis, cello; The Chamber Orchestra of Europe; Sir Roger Norrington, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 358 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: RCA Red Seal | # 09026 68578 2 | Time: 01:15:22

What a versatile artist Steven Isserlis is. Having made his name as a sympathetic interpreter of a wide variety of romantic and modern music, here he shows he can be just as persuasive in eighteenth-century repertoire. His stylistic awareness is evident in beautiful, elegant phrasing, selective use of vibrato and varied articulation, giving an expressive range that never conflicts with the music’s natural language. In the cello concertos he is helped by an extremely sensitive accompaniment, stressing the chamber musical aspects of Haydn’s pre-London orchestral writing. The soft, intimate sonority at 3'06'' in the first movement of the D major is a typical example. The Adagios are taken at a flowing speed, but Isserlis’s relaxed approach means they never sound hurried. The Allegro molto finale of the C major Concerto, on the other hand, sounds poised rather than the helter-skelter we often hear. In his understanding of the music, Isserlis is a long way ahead of Han-na Chang, whose version places the emphasis on fine, traditional-style cello playing. Mork’s vivacious, imaginative performances characterize the music very strongly, but my preference would be for Isserlis’s and Norrington’s lighter touch and greater refinement.