Best known as a superior and advanced cool-toned trumpeter, Tom Harrell shows throughout this consistently brilliant set that he has also developed into an excellent composer and a particularly talented arranger. All ten songs and arrangements are his, and the music both swings and is quite original. Harrell doubles on flügelhorn and utilizes a wide variety of interesting musicians, including clarinetist Greg Tardy (who plays beautifully on the opening "Petals Danse"), acoustic guitarist Romero Lumbambo (heard on the more Brazilian-oriented numbers), the great free bop tenor Dewey Redman, pianist Danilo Perez, electric guitarist Mike Stern, tenorman David Sanchez, and several strings (including Regina Carter) among others.
…Marianne has spent her life researching this work. She displays that rare intelligence that allows all "misfortunes" to be converted to her benefit. There is a detachment that allows one to be intimately involved with, but not consumed by this type of work. This is her best work in quite some time. She deserves all the accolades that come her way as a serious singer who can pull off the piece. A wonderful disc from one whose live presence we must count as miraculous considering what she has lived through.
The Midgets is an album by jazz trumpeter Joe Newman's Septet recorded in 1956 for the RCA Records subsidiary Vik label. Glossy Cover, Arranged by Ernie Wilkins, conducted by Joe Newman, Recorded at Webster Hall, New York City, July, 1956. Joe Newman on trumpet, Frank Wess on flute, Barry Galbraith on electric guitar, Freddie Green on rhythm guitar, Hank Jones on piano and organ, Eddie Jones on bass, and Osie Johnson on drums.
With longtime bassist Steve Swallow, the return of drummer Roy Haynes, and the debut of guitarist Jerry Hahn, Gary Burton's second quartet continued his open-minded policy toward other styles of music. In addition to both melodic and advanced jazz, Burton incorporates elements of country, rock, pop and even classical music on this fairly rare LP, Country Roads and Other Places. Whether it be a "Ravel Prelude," "Wichita Breakdown" or "My Foolish Heart," the music is full of logical surprises that foreshadow the eclectic nature of much of '80s and '90s jazz.
Reissue with DSD remastering. Comes with liner notes. Here we have the free-floating, abstract beginnings of Weather Report, which would define the state of the electronic jazz/rock art from its first note almost to its last. Their first album is a direct extension of the Miles Davis In a Silent Way/Bitches Brew period, more fluid in sound and more volatile in interplay. Joe Zawinul ruminates in a delicate, liquid manner on Rhodes electric piano; at this early stage, he used a ring modulator to create weird synthesizer-like effects.
This latter period Chumbawamba collection benefits from the inclusion of "Give the Anarchist a Cigarette," "Ugh! Your Ugly Houses" (a sideswipe at the non-taste of the celebrities featured in Hello magazine), "Enough Is Enough" (originally recorded with Brit rappers Credit to the Nation) and the catchy/cloying "Timebomb." Most of the material is taken from Anarchy (1994) and Swingin' With Raymond (1996). "Mouthful of Shit," the highlight of Anarchy, makes a welcome return. 23 tracks is surely enough Chumbawamba for even the hardiest of die-hards, but if you don't have the studio albums, this is the best place to start.
Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. Finally, a non-bootleg issue of one of Miles Davis' greatest electric performances ever. In fact this is the very first of the Miles Davis Quintet's electric gigs – it was also one of the last four performances of this great band. Not just recorded, but performed. The band, consisting of Davis, Wayne Shorter on soprano and tenor, Chick Corea on Fender Rhodes, Dave Holland on both acoustic and electric bass, and Jack DeJohnette on drums. With percussionist Airto Moreira providing color and texture, the band became a sextet.