Gary Numan is known for robotic, stylized singing. His primitive electronics and pre-"new romantic" sound did nothing for me. A myriad, zealous voices will tell you that Numan was sings "good songs." Now, in this 2-CD collection of Numan interpretations you can hear those good songs without Numan's idiosyncratic delivery. The known and the unknown join to make proto-dance music out of mechanical master's material. Matt Sharp (Weezer) and Damon Albarn (Blur) cover "We Have a Technical." Also on the compilation are Gravity Kills, EMF, The Magnetic Fields, Jesus Jones, the out-of-place hip hop group Underdog (but, there's only one of them), Sukia, The Orb, Pop Will Eat Itself. One of my favorite cuts is "Metal" by Towering Inferno. Brian Eno described their Kaddish album as "frightening" and they are here joined by Eddie Reader. I also am very fond of the two versions of "Are 'Friends' Electric?" Techno rockers Republicaare joined by Numan himself for one version and Belgian discovery An Pierle offers another.
Clarence "Gatemouth" Brown's tough-minded approach to the blues, country, Cajun, and jazz insures a minimum of nonsense and a maximum of variety, while his virtuosity on the guitar and fiddle insures the highest standards. Nonetheless, Brown's 1997 album is a landmark for the 73-year-old picker who won a Rhythm & Blues Foundation Pioneer Award. All 13 tunes on Gate Swings find Brown working with his regular road quartet plus a 13-piece horn section, enabling him to prove that Duke Ellington, Count Basie, and Lionel Hampton have been as important to his music as any bluesman or Creole fiddler. Gate Swings includes tunes by all three of those big-band leaders as well as compositions by Buddy Johnson, Percy Mayfield, Louis Jordan, and Brown himself, and they all swing with the massive force that only a big horn section can muster. Brown has leaned in this direction before, but Gate Swings is special, because it features the horn arrangements of Wardell Quezergue, an alumnus of the Dave Bartholomew band who arranged many of the best New Orleans R&B hits in the '60s and '70s.
Ambient music is a genre of music that puts an emphasis on tone and atmosphere over traditional musical structure or rhythm. Ambient music is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. According to Brian Eno, one of its pioneers, "Ambient music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting."…
Julius Katchen performs the composer's work whom he most favored; again, highly-esteemed recordings among classical cognoscenti.