"The Other Side of Life" is the twelfth album by the rock band The Moody Blues. It contains the major hit, "Your Wildest Dreams", which, like "Nights in White Satin" before it, was a top-10 hit in the United States. It is the third album of the Patrick Moraz era, and the first for flautist and vocalist Ray Thomas not to play a major role.
The music on this album marked the beginning of dominant synthesiser, sequencer, and drum machine use by the band, to the point that the entire album could be classified as a "synthpop" record; a surprising stylistic change for a band that had pioneered symphonic rock.
The Moody Blues' best album in five years benefited mostly from the presence of the Top Ten single "Your Wildest Dreams," authored by Justin Hayward, which turned their status as survivors from the '60s psychedelic era into a plus, with a great beat to boot; it also debuted with a very entertaining video featuring young British psychedelic rockers the Mood Six playing the young Moody Blues to promote the song on the newly dominant MTV and rival video outlets…
The famous Red Rocks venue plays host to The Moody Blues on this DVD that offers a standard full-frame transfer. The English soundtrack does a fine job of capturing the music. There are no supplemental materials of any consequence, making it quite difficult to recommend this disc to anyone who is not already a fan of the band. Some of the songs performed include "Nights in White Satin," "Days of Future Past," and "Tuesday Afternoon."
The Moody Blues, as they came to be known, made their debut in Birmingham in May of 1964, and quickly earned the notice and later the services of manager Tony Secunda.
Quiet Life is the album that transformed Japan from past-tense glam rockers into futuristic synth popsters, though they'd been leaning in that direction for a while…
Matt Monro was a regular feature of the British singles charts between 1960 and 1965, after which he had only one other UK hit (And you smiled, a top thirty entry in 1973, not released on an original album, only on compilations). Despite the lack of hits, Matt's music remained popular with adult audiences. So there are none of Matt's own hits on the two albums presented here, but you'll find plenty of familiar (and not-so-familiar) songs via Matt's covers of pop songs from the sixties and early seventies, as well as older songs from the Great American Songbook.