Before migrating across the ECM continent, Stephan Micus outfitted some of his most formative expeditions in the territories of the JAPO sub-label. On these albums one hears Micus at his most elemental, turning every gesture into inter-spatial awareness. The album’s duration of 36 minutes only serves to deepen its intimacy as a space in which the listener might catch a cushion of meditation in a world of splinters. Micus’s practice has always been to render the stem before the flower, and in the album’s title track a table harp provides that very illustrative function. Its dulcimer-like heart beats a rhythm at once ancient and fresh, curling as the scriptural page, its edges darkened from constant contact with the hands. Those same hands cradle a method of speech so musical that its melody is discernible only in the freedom of solitude.
Essential: a masterpiece of progressive rock music
5 stars it’s the RUSH album… no ordinary songs! Guitar, bass and drums are incredible! As hard rock as progressive! The guitar sound is unique and it takes most of the place without giving you the feeling that other instruments are not present enough!!
Constance Demby is one of the few representatives of the New Age movement (in both her music and her personal philosophies) who consistently creates artistic, highly expressive compositions. Demby was trained in classical music as a child, and her artistic spirit led her to also master several other art forms; at the University of Michigan, she studied painting, sculpture, and music. It was her work as a sculptor that led her to new dimensions of sound. As she was torching a sheet of metal, it roared thunderously, and thus was born the Sonic Steel Instruments: the Whale Sail, and the Space Bass, enormous bowed instruments with deep archetypal resonances.
Collection includes all studio albums by Australian alternative rock band from Sydney. In 2010, their album Diesel and Dust ranked no. 1 in the book The 100 Best Australian Albums.
After rehearsals in New York with John Wetton and Michael Walden in 1977 had finished, Robert Fripp continued to work on and refine material for what would become Exposure with Tony Levin and Jerry Marotta. Having worked with the pair previously with Peter Gabriel in both the studio and on stage the previous year, there’s an easy fluency between the players here. That could of course also be the result of the material here being more formed and developed than the previous Exposure rehearsals. While some of these pieces are familiar we get to hear them in either their raw state such as the new-to-these-ears Slow Stomp, or, as in the case of You Burn Me Up, moving towards a finished form that’s instantly recognisable.
Jeff Wayne's Musical Version of The War of the Worlds is the debut studio album by Jeff Wayne, retelling the story of The War of the Worlds by H. G. Wells, released September 6, 1978. A concept album, its main format is progressive rock and string orchestra, using narration and leitmotifs to carry the story via rhyming melodic lyrics that express the feelings of the various characters. The two-disc album remains a bestseller, having sold millions of records around the world, and by 2009 it was the 40th best selling album of all time in the UK with sales of 2,561,286. It has since spawned multiple versions of the album, video games, DVDs, and live tours.
Guitarist Lenny Breau's short life (1941-1984) is a movie waiting to be made. Before his still unsolved murder, he was able to bring a new voice to the guitar by adapting country fingerpicking technique to the intricacies of modern jazz. A Breau hallmark was his highly developed ability to play bass, chords and single notes concurrently - in effect having a trio in his right hand. The newly re-released Complete Living Room Tapes, with clarinetist Brad Terry, is a 2-CD close look at Breau in peak form, circa 1979. It contains four new bonus tracks and presents a comprehensive picture of his influences and virtuosity.