1960 Rock

Chuck Berry - You Never Can Tell: His Complete Chess Recordings 1960-1966 (2009)

Chuck Berry - You Never Can Tell: His Complete Chess Recordings 1960-1966 (2009)
Rock & Roll | 4cd | EAC Rip | Flac + Cue + Log | covers
Hip-O Select/Geffen B0012465-02 | rel: 2009 | 1890Mb

On the 1961 single "Go Go Go," a side that went nowhere on the charts, Chuck Berry sang that he was "Mixing Ahmad Jamal in my 'Johnny B. Goode'/Sneaking Erroll Garner in my 'Sweet Sixteen'/Now they tell me Stan Kenton is cutting 'Maybellene'" – as always, Chuck is stretching the truth to fit his story.

Justice League Comics Collection (1960-2011)  Comics

Posted by angus77 at Oct. 23, 2014
Justice League Comics Collection (1960-2011)

Justice League Comics Collection (1960-2011)
English | CBR/CBZ | 1188 Issues | 16.54 GB

Joan Baez - Joan Baez (1960) [Reissue 2001]  Music

Posted by Andi_Deris at May 27, 2017
Joan Baez - Joan Baez (1960) [Reissue 2001]

Joan Baez - Joan Baez (1960) [Reissue 2001]
EAC Rip | FLAC: Image+Cue+Log | 293 Mb | MP3 CBR 320 kbps | 129 Mb | Time: 55:28
Vanguard | VCD 79594-2
Folk, Folk Rock, Singer-songwriter

History's ear hasn't been kind to Joan Baez: in retrospect, set against the traditional voices whose material she interpreted, her own versions seem painfully pretty, her soprano icy and removed. But it's hard to gauge now the force of her first record, a folk-revival landmark. Released in 1960 after a triumphant Newport Festival appearance, the record had deep material and emotion that few of her urban folk contemporaries possessed. Her version of "John Riley" is compelling, "East Virginia" glowing, and "Silver Dagger" concentrated, while "Preso Numero Nueve" showed her future political turn. This 2001 reissue offers two previously unreleased tracks plus an expanded version of "John Riley."

Marty Robbins - Country 1960-1966 (4CDs, 1995)  Music

Posted by Discograf_man at April 11, 2017
Marty Robbins - Country 1960-1966 (4CDs, 1995)

Marty Robbins - Country 1960-1966 (4CDs, 1995)
Country, Gospel, Pop, Rock'n'Roll | MP3 CBR 320 kbps | 697 Mb
Label: Bear Family Records

Cutting away all of Marty Robbins' rock & roll, Hawaiian and cowboy recordings, Bear Family's four-disc box set, Country 1960-1966, contains nothing but his straight country and country-pop recordings of the early '60s. During that era, Robbins was one of the most popular performers in country music, scoring an impressive series of Top 10 hits and pop crossovers like Don't Worry and Devil Woman, which are all included on this set.
John Lee Hooker - Sings The Blues (1961) & Sings Blues (1960) {Soul Jam Records 600843 rel 2014}

John Lee Hooker - Sings The Blues (1961) & Sings Blues (1960) {Soul Jam Records 600843 rel 2014}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 359 Mb | MP3 @320 -> 180 Mb
Full Artwork @ 300 dpi (png) -> 47 Mb | 5% repair rar | 24bit remastered
© 1960-61, 2014 Crown / King / Soul Jam Records | 600843
Blues / Electric Blues / Delta Blues / Acoustic Blues / Detroit Blues / Blues Revival

John Lee Hooker developed a “talking blues” style that became his trademark. Though similar to the early Delta tradition, his metrically free approach and unique sound would make him a staple of Detroit blues. Often called the “King of the Boogie,” Hooker's driving, rhythmic approach to guitar playing has become an integral part of the blues. This quintessential release includes two albums from the beginning of his career: Sings the Blues (Crown 1961) and Sings Blues (King 1960). Although the two records share nearly identical titles, each contains a different and excellent track list. The former LP features great electric numbers such as “Hug and Squeeze (You),” “Good Rockin' Mama,” and “The Syndicate,” while the latter contains Hooker's solo recordings originally issued on the Modern label. Both albums have been remastered and packaged together in this very special collector's edition, which also includes 5 bonus tracks from the same period.
John Lee Hooker - That's My Story & House Of The Blues (1959-1960) {Soul Jam Records 600826 rel 2013}

John Lee Hooker - That's My Story & House Of The Blues (1959-1960) {Soul Jam Records 600826 rel 2013}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 407 Mb | MP3 @320 -> 182 Mb
Full Artwork @ 300 dpi (png) -> 54 Mb | 5% repair rar | 24bit remastered
© 1959-60, 2013 Riverside / Soul Jam Records | 600826
Blues / Electric Blues / Delta Blues / Acoustic Blues / Detroit Blues / Blues Revival

Although Orrin Keepnews' Riverside Records was primarily a jazz label, the company dabbled in blues in the 1960s – and one of the bluesmen who recorded for Riverside was John Lee Hooker. Recorded in 1960, this Keepnews-produced session came at a time when Hooker was signed to Vee-Jay. The last thing Keepnews wanted to do was emulate Hooker's electric-oriented, very amplified Vee-Jay output, which fared well among rock and R&B audiences. Keepnews had an acoustic country blues vision for the bluesman, and That's My Story favors a raw, stripped-down, bare-bones approach – no electric guitar, no distortion, no singles aimed at rock & rollers.
Leon Rosselson - The World Turned Upside Down: Rosselsongs 1960-2010 (4CD) (2011)

Leon Rosselson - The World Turned Upside Down: Rosselsongs 1960-2010 (4CD) (2011)
EAC | FLAC (image+.cue, log) | 04:53:03 | 712 MB
Genre: Folk-Rock, Singer-Songwriter | Label: Fuse

The brilliant Leon Rosselson is underrated only because his ideological leanings don't conform with the mainstream. He has been recording since the early 1960s, and this 4CD overview offers a superlative selection of his oeuvre, including material from vinyl albums that, unfortunately, are ever likely to be reissued in any other format. As a British songwriter, Rosselson is unequalled in the past half century. Much of his oeuvre is in the French chanson mould of Brassens, although he is invariably categorised, not surprisingly, as a folk singer. He surfaced in the early 1960s as Britain's answer to Tom Lehrer – but with a great deal more gravitas.

V.A. - Nostalgia Italiana 20 Top Twenty Hits 1960-1969 (10CDs, 1996)  Music

Posted by Discograf_man at Feb. 24, 2017
V.A. - Nostalgia Italiana 20 Top Twenty Hits 1960-1969 (10CDs, 1996)

V.A. - Nostalgia Italiana 20 Top Twenty Hits 1960-1969 (10CDs, 1996)
Pop, OLdies | MP3 CBR 320 kbps | 1,31 Gb | Covers 7,82 Mb
Label: BMG | Release Year: 1996

Si tratta di una collezione di record in cui le grandi canzoni e grandi cantanti che andavano di moda 1960-1969 in Italia e poi invaso il spettro musicale internazionale, che sarebbe stato sviluppato e l'accettazione del pubblico sono raccolti.
Muddy Waters - Muddy Waters at Newport 1960 (1960) (2001 Remastered) {MCA}

Muddy Waters - Muddy Waters at Newport 1960 (1960) (2001 Remastered)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 315 mb | MP3 CBR 320kbps | RAR | 143 mb
Blues Rock, Chicago Blues | Label: MCA Records - UICY-3200

At Newport 1960 is a live album by Muddy Waters performed at Newport Jazz Festival in Newport, Rhode Island, with his backing band, consisting of Otis Spann (piano, vocals), Pat Hare (guitar), James Cotton (harmonica), Andrew Stevens (bass) and Francis Clay (drums), on July 3. Waters's performances across Europe in the 1950s and at Newport helped popularize blues to a broader audience, especially to whites. The album is said to be one of the first live blues albums.
VA - Voices Of The Civil Rights Movement (Black American Freedom Songs 1960-1966) (1997)

VA - Voices Of The Civil Rights Movement: Black American Freedom Songs 1960-1966 (1997)
Gospel, Political Folk, Word, Black Gospel, Traditional Folk | 2:16:56 | Mp3, 320 kbps | 313 MB
Label :Smithsonian/Folkways | Year Of Release :1997

The civil rights movement used freedom songs to spread their message, adapting folk and pop tunes with contemporary topical lyrics, or writing new songs addressing social injustice in general, and injustice for African-Americans in particular. This is a two-CD, 43-song compilation of such songs, recorded live in mass meetings in churches between 1960 and 1966. The SNCC Freedom Singers, including in their ranks future Sweet Honey in the Rock mainstay Bernice Johnson Reagon (who wrote the liner notes), contribute quite a few tracks, but the majority are by less professional soloists and choirs.