This 10 CD box contains the debut albums by twenty rock 'n' roll stars, including Bill Haley, Little Richard, Fats Domino, Wanda Jackson, Buddy Holly, Elvis Presley, Chuck Berry, Bo Diddley and others. 246 songs in total from 1950 to 1960. It's a first-class collection of ballads, boogies, instrumentals, Rockabilly and Twist, from a fascinating array of rock 'n' roll's most influential artists.
One of a number of Art Blakey albums titled after "Night In Tunisia" – and most likely the best! The tune is a perfect fit for the Blakey Jazz Messengers format – long, rhythmic, really stretching out, yet allowing plenty of space for the horn players to solo. Players include Bobby Timmons on piano, Lee Morgan on trumpet, and Wayne Shorter on tenor – a killer lineup that's in really classic form here – driven on nicely by Blakey's drums and bass work by Jymie Merritt. Titles include "Night In Tunisia", with Blakey thundering through impeccably – plus the tracks "Yama", "Kozo's Waltz", and a version of Timmons' great "So Tired".
Features the latest remastering. Includes a Japanese description and lyrics. Frank Minion's one and only recording is a fascinating window into the world of a jazz performer. Quite cynical and sarcastic toward the jaundiced American view of the jazz life, Minion minces no words in stating his case, his reasons why, and his conclusions as to the home country of the music so thoroughly dismissing the music he loves. As this project was done back in the late '50s and early '60s, it reflects a syndrome that unfortunately still exists 50 years later. The CD reissue begins with a five-part suite based on the talking points and songs reflecting the vagaries and perceptions of a fictional big city neighborhood, which just as easily could be the reality of renaissance Harlem, references to Atlanta, or perhaps his native Baltimore.
For many decades, African-American churches have worried about losing their best singers to secular music. And inevitably, many of them will, in fact, explore secular music instead of devoting 100 percent of their time to gospel. Al Smith is a perfect example. The obscure singer's roots were gospel, but he favored a jazz-influenced approach to blues and soul when he recorded two albums for Prestige/Bluesville: Hear My Blues in 1959 and Midnight Special in 1960. Recorded at Rudy Van Gelder's famous New Jersey studio, Midnight Special finds Smith backed by a rock-solid quintet that consists of King Curtis on tenor sax, Robert Banks on organ, Jimmy Lee Robinson on electric guitar, Leonard Gaskin on acoustic bass, and Bobby Donaldson on drums.