Although Orrin Keepnews' Riverside Records was primarily a jazz label, the company dabbled in blues in the 1960s – and one of the bluesmen who recorded for Riverside was John Lee Hooker. Recorded in 1960, this Keepnews-produced session came at a time when Hooker was signed to Vee-Jay. The last thing Keepnews wanted to do was emulate Hooker's electric-oriented, very amplified Vee-Jay output, which fared well among rock and R&B audiences. Keepnews had an acoustic country blues vision for the bluesman, and That's My Story favors a raw, stripped-down, bare-bones approach – no electric guitar, no distortion, no singles aimed at rock & rollers.
The brilliant Leon Rosselson is underrated only because his ideological leanings don't conform with the mainstream. He has been recording since the early 1960s, and this 4CD overview offers a superlative selection of his oeuvre, including material from vinyl albums that, unfortunately, are ever likely to be reissued in any other format. As a British songwriter, Rosselson is unequalled in the past half century. Much of his oeuvre is in the French chanson mould of Brassens, although he is invariably categorised, not surprisingly, as a folk singer. He surfaced in the early 1960s as Britain's answer to Tom Lehrer – but with a great deal more gravitas.
Si tratta di una collezione di record in cui le grandi canzoni e grandi cantanti che andavano di moda 1960-1969 in Italia e poi invaso il spettro musicale internazionale, che sarebbe stato sviluppato e l'accettazione del pubblico sono raccolti.
At Newport 1960 is a live album by Muddy Waters performed at Newport Jazz Festival in Newport, Rhode Island, with his backing band, consisting of Otis Spann (piano, vocals), Pat Hare (guitar), James Cotton (harmonica), Andrew Stevens (bass) and Francis Clay (drums), on July 3. Waters's performances across Europe in the 1950s and at Newport helped popularize blues to a broader audience, especially to whites. The album is said to be one of the first live blues albums.