In 1960 bassist Charles Mingus helped to organize an alternative Newport Jazz Festival in protest of Newport's conservative and increasingly commercial booking policy. The music on this LP (which has been reissued on CD) features some of the musicians who participated in Mingus's worthy if short-lived venture. Trumpeter Roy Eldridge performs three numbers with pianist Tommy Flanagan, Mingus and drummer Jo Jones; of greatest interest is "Mysterious Blues" for it adds trombonist Jimmy Knepper and the unique altoist Eric Dolphy successfully to the group. The other selections match up drummers Max Roach and Jo Jones with Roach's quintet (featuring trumpeter Booker Little) on "Cliff Walk" and feature singer Abbey Lincoln on "Tain't Nobody's Bizness If I Do."
One of country music s most eclectic heroes, Marty Robbins celebrated an extraordinary career as one of the genre s leading crossover artists. Spending more than 30 years in the music business, Robbins routinely refused to conform to contemporary trends, branching out into pop, rockabilly, Hawaiian, calypso and gospel music, all underlined by his trademark Southern twang. In addition to being a skilled player and performer, Robbins was also a magnificent songwriter, penning many of his best-known hits. He also undertook numerous ventures outside of music during his lifetime, appearing in films and even occasionally participating in NASCAR races. However, it is his music for which he is most fondly remembered, and Robbins retains his reputation as one of the finest ever country musicians and performers. This collection, presented across four discs and running in excess of five hours, collates the entirety of Marty Robbins output between 1952 and 1960, and in so doing, provides not only the perfect introduction to this country giant, but acts too as a welcome reminder for those already well-versed in Marty Robbins incredible work.
Varese's original soundtrack to Psycho finds Joel McNeely conducting the Royal Scottish National Orchestra through Bernard Herrmann's classic original score. This album is the first time the entire score has been recorded for an album and its remarkable how eerie and evocative the music is, even when its separated from the film. Psycho stands as one of Herrmann's finest moments, and even if many collectors and film buffs would prefer the original soundtrack recording, this version is essential for fans of the composer, since it is the clearest, cleanest edition of score yet produced.
The single most influential album of Western songs in post-World War II American music, Gunfighter Ballads and Trail Songs touched a whole range of unexpected bases in its own time and has endured extraordinarily well across the ensuing four decades. The longevity of the album's appeal is a result of Marty Robbins' love of the repertory at hand and the mix of his youthful dynamism and prodigious talent that he brought to the recordings, and the use of the best music production techniques of the era. Add to that the presence of a pair of killer original songs that were ready-made singles, "El Paso" and "Big Iron," and a third, "The Master's Call," that was startlingly personal, and the results are well-nigh irresistible.
In this globally acclaimed comedy drama, eccentric, tough, and carefree Ilya (Melina Mercouri) is one of those characters who makes her mark on film history, and who made an internationally known star out of Mercouri. Ilya is a prostitute in the port of Piraeus with a definite sense of social and economic justice. The aptly named Homer (director Jules Dassin, later to marry his star) arrives in Greece, meets the irrepressible Ilya, and decides she needs more of the traditional Greek culture and less of those flamboyant emotions that are not really Greek, you see. So while he tries to play Henry Higgins, Ilya is willing to give up her usual self for two weeks. The question is, what will happen once the two weeks are over, assuming she can get through them?