Another quality Time-Life music collection with 500 originals from the period 1955-1964, the so called "Rock'n'Roll Era". In addition of this wonderful classics' parade, you will acquire a R'n'R encyclopedia, since each CD comes with an extensive description and historical data, in a 6 page booklet, scanned at 600 dpi. Enjoy excellent music and artwork.
For some reason, the Jazz in Paris series has put together a collection of music featuring these three vocalists. Except for the fact that all three recorded in Paris, there appears to be little connection. The music is still excellent however. The first 8 tracks by Harold Nicholas show off his excellence in covering standards. "Smoke Gets in Your Eyes", with its last verse in French, is a highlight. June Richmond, accompanied by the Quincy Jones Orchestra, sings "I've Got a Right to Sing the Blues" through "Between the Devil and the Deep Blue Sea". Excellent renditions all. The last two tracks, by Henry Bey and the Bey Sisters, are nice, but give only a small introduction to their music.
Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. Dorham’s lyrical trumpeting on ballads and uptempo tunes is showcased on his Riverside debut that also features tenor saxophonist Sonny Rollins, pianist Hank Jones, bassist Oscar Pettiford and drummer Max Roach. Keepnews says, “This is one of my favorite ‘blowing’ albums, ever.”
Best known for his string of late-'80s MOR blues-pop hit singles, Middlesbrough's biggest musical export Chris Rea has spent the best part of the noughties reinventing himself as a Tom Waits-esque troubadour with a series of ambitious and often gargantuan-sized albums focusing on the vintage slide guitar blues sounds that influenced his hugely successful 30-year career. More up to date than 1994's The Best Of and more extensive than 2005's Heartbeats, Still So Far to Go is the husky-voiced guitarist's first hits collection to place as much emphasis on his later more revered and prolific output as his more familiar and commercial airplay staples…
The two 1957 sessions that make up this CD featuring Earl Hines with a pickup rhythm section in Paris were recorded originally for Phillips, with bassist Guy Pedersen and drummer Gus Wallez. The pianist is in top form, including just a little of the Dixieland repertoire ("Royal Garden Blues" and "Muskrat Ramble") that typically dominated most of his recordings made in the U.S. during this period, and spending more time exploring favorite warhorses like "Hallelujah" and "Makin' Whoopee," as well as already classic jazz compositions such as "If I Could Be With You One Hour Tonight" and "I Got It Bad (And That Ain't Good)." While the tracks are generally brief, the music is consistently swinging at a high level and four bonus tracks have been added to the CD reissue, so it should be considered an essential purchase for fans of Earl "Fatha" Hines.