Another quality Time-Life music collection with 500 originals from the period 1955-1964, the so called "Rock'n'Roll Era". In addition of this wonderful classics' parade, you will acquire a R'n'R encyclopedia, since each CD comes with an extensive description and historical data, in a 6 page booklet, scanned at 600 dpi. Enjoy excellent music and artwork.
This key title is being reissued at a special price as part of the celebration of Rostropovich - "Cellist of the Century". Mstislav Leopoldovich Rostropovich was born in Baku, USSR on March 27, 1927. His first name means "avenged glory"; he is familiarly known by the root of the name, "Slava," which means "glory." His father, Leopold, was an excellent cellist, and after 1931, a teacher at the Gnesin Institute, Moscow after attending the Moscow Conservatory. Slava's mother was an accomplished pianist. The family moved to Moscow in 1931; Slava had already begun cello studies with his father and continued them there. His first public appearance was at eight years of age. In 1939, he entered the Central Music School, studying there until 1941.
The Opener is trombonist Curtis Fuller's first album for Blue Note and it is a thoroughly impressive affair. Working with a quintet featuring tenor saxophonist Hank Mobley, pianist Bobby Timmons, bassist Paul Chambers and drummer Art Taylor, Fuller runs through a set of three standards - "A Lovely Way to Spend an Evening," "Here's to My Lady," "Soon" - two originals and an Oscar Pettiford-penned calypso. The six songs give Fuller a chance to display his warm, fluid style in all of its variations. "A Lovely Way to Spend an Evening" illustrates that he can be seductive and lyrical on ballads, while the brassy "Hugore" and hard-swinging "Lizzy's Bounce" shows that he can play hard without getting sloppy…
"Still Looking" is the only album by US psychedelic rock band "Headstone" from 1974. In the psychedelic underground collectors scene the album got established as a classic psych-hard-rock rarity. Their sound is strong and melodic with awesome guitar/organ leads, solid bass and catchy vocals. Their natural float creates a hypnotic atmosphere and makes you listen to this album again and again. At all their musical spirit is closer to the end 60s blend, than the recording year 1974 reflects, and sometimes they remind of the early Bloodrock stuff.