Today we take high fidelity sound quality for granted, but how did it start? When was the moment when compressed and scratchy sound gave way to natural, realistic sound that captured the whole picture of a performance?
Decca Sound ‘Mono Years’ seeks to answer that question and shows how, 70 years ago, amidst war-time privations, a small team at Decca made technological breakthroughs that brought hi-fi to the world. This latest cube explores Decca’s earliest high-fidelity history, and restores some restores critically acclaimed albums from ensembles such as the Trio di Trieste, Quintetto Chigiano and Griller Quartet which have not been available since their original LP release more than sixty years ago. An equally impressive array of soloists includes pianists Clifford Curzon, Julius Katchen, Friedrich Gulda and Moura Lypmany and violinists Ruggiero Ricci and Alfredo Campoli. Several generations of cellists are represented with recordings by Pierre Fournier, Maurice Gendron and Zara Nelsova.
The third "complete" Pete Johnson CD put out by the European Classics label features the great boogie-woogie pianist in three different settings. There are eight formerly rare piano solos from 1944 that cover a variety of moods, five selections with a hot Kansas City octet which includes trumpeter Hot Lips Page, tenorman Budd Johnson and two vocals from the young Etta Jones, and eight intriguing numbers in which Johnson is gradually joined by an additional musician on each track. "Page Mr. Trumpet" is an exciting outing for Hot Lips, and the other top players include clarinetist Albert Nicholas, trombonist J.C. Higginbotham and tenorman Ben Webster. A particularly exciting release.
These live performances were recorded for broadcast during WWII in Germany, and while the sound is not up to modern standards it is surprisingly good for its time. The microphones in the concert hall were wired to a small, windowless control room, where they were primatively "mixed" and the signal sent via telegraph wire to the radio transmitter studio, where it was recorded on early Magnetophone tape recorders. The tapes were captured by the Soviets after the liberation of Berlin and transported to Moscow, where they languished for many years. Some performances were released by the Soviets, but the tapes were eventually returned to Germany and reprocessed in the 1980's.
Le 19 mars 1944, Albert Camus et Maria Casarès se croisent chez Michel Leiris.
L’ancienne élève du Conservatoire, originaire de La Corogne et fille d’un républicain espagnol en exil, n’a que vingt et un ans. Elle a débuté sa carrière en 1942 au Théâtre des Mathurins, au moment où Albert Camus publiait L’Étranger chez Gallimard. L’écrivain vit alors seul à Paris, la guerre l’ayant tenu éloigné de son épouse Francine, enseignante à Oran. …