The contents of the EMI box are too numerous to list but all the sonatas, variations, and most short pieces are here: absent is the London Sketchbook, which is trite juvenalia.
Daniel Barenboim is considered one of the greatest pianists and conductors of our time and may well be called a living legend. For his efforts towards reconciliation in the Middle East as well as his musical achievements, Barenboim has been the recipient of many prizes and honours. 2014 marks a very special anniversary for this extraordinary musician: 60 years as recording artist. To celebrate this occasion, Deutsche Grammophon and Daniel Barenboim will release a new recording of Franz Schubert’s Piano Sonatas. The sonatas are wonderful romantic music, and after recording them, Barenboim summarizes: “Schubert’s sonatas are a revelation. The music laughs and cries, it is at the same time sad and cheerful.”
Already established within Viennese culture by Haydn and Mozart, the trio genre was taken to new limits by the inexhaustible imagination of Beethoven's genius: "a serene joy come from an unknown world", was E. T. A. Hoffmann's reaction on hearing the Trio in D major Op.70 no.1. The Wanderers have ventured into the Beethoven piano trios and mastered every inch of its topography. What better guide could there be for us to follow with total confidence, in their 25th anniversary year?
Nielsen’s piano works are among the most original and characteristic in the repertoire. There is no mistaking his idiosyncratic musical voice, his sense of joy of discovery and invention, and spirit of imagination and adventure. Nielsen’s complete piano music encompasses the full diversity and range of his creative output. Though he never aspired to brilliance as a performer, Nielsen’s piano works are nevertheless marked by his intimate knowledge of the instrument …..
Let me say straight away that the performance is extremely fine; indeed, such is its eloquence that I put aside the score and notepad and just listened for pleasure the first time round. – On Concerto No. 1 – Gramophone
This new version of Piano Concerto no. 2 from Stephen Kovacevich and the LSO under Sir Cohn Davis must be numbered among the very finest of recent years… The performance combines poetic feeling and intellectual strength in no small measure, and it is one to which I am sure I will want to returnGramophone