17. Century

Kleinstück - Deutsche Volkslieder 13.-17. Jahrhunderts [Ars Musici AME 3029-2] (1997)

Christopher Kleinstück - "Ach liebes Elselein": Deutsche Volkslieder des 13.-17. Jahrhunderts
Christopher Kleinstück - "Ach liebes Elselein": German Folk Songs Of The 13.-17. Century
EAC+LOG+CUE | FLAC: 191 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Ars Musici # AME 3029-2 | Country/Year: Germany 1997
Genre: Classical, Folk | Style: Folk, Medieval, Renaissance
Silvia Frigato - Feo & Manna: Lux in tenebris (Liturgy and Devotion in 18th Century Naples) (2017) [Official Digital Download]

Silvia Frigato - Feo & Manna: Lux in tenebris (Liturgy and Devotion in 18th Century Naples) (2017)
FLAC (tracks) 24-bit/44.1 kHz | Time - 50:48 minutes | 474 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

One of the most talented singers of the new generation brings to light four gems for soprano and orchestra belonging to the great eighteenth -century tradition of Neapolitan sacred music. The three composers are representative of as many generations of an industrious dynasty: Francesco Feo (1691-1761) was the uncle of Gennaro Manna (1715-79), who in turn was the uncle of Gaetano (1751-1804). Comparison between their scores allows us to observe the extraordinary development from the austerity of the late Baroque to the elegance of the galant style.
Silvia Frigato - Feo & Manna: Lux in tenebris (Liturgy and Devotion in 18th Century Naples) (2017)

Silvia Frigato - Feo & Manna: Lux in tenebris (Liturgy and Devotion in 18th Century Naples)
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 50:48 min | 236 MB
Label: Arcana | Tracks: 28 | Rls.date: 2017

One of the most talented singers of the new generation brings to light four gems for soprano and orchestra belonging to the great eighteenth -century tradition of Neapolitan sacred music. The three composers are representative of as many generations of an industrious dynasty: Francesco Feo (1691-1761) was the uncle of Gennaro Manna (1715-79), who in turn was the uncle of Gaetano (1751-1804).

Beyond Bach: Music and Everyday Life in the Eighteenth Century  eBooks & eLearning

Posted by ksveta6 at Sept. 3, 2017
Beyond Bach: Music and Everyday Life in the Eighteenth Century

Beyond Bach: Music and Everyday Life in the Eighteenth Century by Andrew Talle
2017 | ISBN: 0252040848 | English | 376 pages | PDF | 4 MB
Susan Drake - Caprices & Fantasies: Romantic Harp Music of the 19th Century, Vol. 3 (1989) Reissue 2004

Susan Drake - Caprices & Fantasies: Romantic Harp Music of the 19th Century, Vol. 3
Gabriel Fauré - Claude Debussy - Claude Debussy - John Thomas - Mikhail Glinka
Elias Parish-Alvars - Albert Heinrich Zabel - Alphonse Hasselmans

EAC | FLAC | Image (Cue&Log) ~ 234 Mb | Mp3 (CBR320) ~ 155 Mb | Artwork included
Genre: Classical | Label: Hyperion (Helios) | # CDH55130 | Time: 01:07:28

Highly successful throughout are the playing and recording: both immaculate. (Gramophone Magazine)
Abchordis Ensemble - Stabat Mater - Italian Sacred Music from the 18th Century (2016) [Official Digital Download 24/96]

Abchordis Ensemble - Stabat Mater - Italian Sacred Music from the 18th Century (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 60:07 minutes | 1.08 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Unbekannte italienische Sakral- und Instrumentalmusik des 18. Jahrhunderts aus Neapel: Das Abchordis Ensemble interpretiert von Gennaro Manna (1715-1779) die Lectio VIII Defunctorum (für Soprano, zwei Violinen und Basso continuo), von Aniello Santangelo (18. Jahrhundert) die Sinfonie in F (für zwei Violinen, Viola und Basso continuo) und das Stabat Mater (für vier Stimmen, mit Geigen, Violetta und Basso Continuo) von Giacomo Sellitto (1701-1763).
Yehudi Menuhin - The Menuhin Century: The Virtuoso & His Landmark Recordings (2016) (13 CD Box Set)

Yehudi Menuhin - The Menuhin Century: The Virtuoso & His Landmark Recordings (2016)
MP3 320 kbps | 13 CDs, 15:50:10 min | Covers included | 2,13 Gb
Genre: Classical / Label: Warner

As a musician, as a man of ideals, and as a true world citizen, Yehudi Menuhin made an extraordinary mark on his era. The Menuhin Century commemorates the 100th anniversary of his birth on 22 April 1916. Offering both dazzling showpieces and major concertos and sonatas, The Virtuoso and his Landmark Recordings reveals as much about Menuhin's technical brilliance as about his depth as an interpreter.
Ensemble Daedalus, Roberto Festa - Canzoni Villanesche: Neapolitan Love Songs of the 16th century (2012)

Ensemble Daedalus, Roberto Festa - Canzoni Villanesche: Neapolitan Love Songs of the 16th century (2012)
EAC | FLAC (tracks+.cue, log) | Covers Included | 02:04:20 | 614 MB
Genre: Classical, Vocal | Label: Accent | Catalog: ACC 24268

This double album from the Accent label collects two single recordings, one made in Ghent in 1994, the other in Corsica and Frankfurt in 2003 and 2005. The second shares only a few musicians with the first but is essentially made of the same stuff, so you might wonder what exactly is added. The pieces on the second CD are generally longer, more serious, and more intricate.
Yehudi Menuhin - The Menuhin Century: Complete Recordings with Hephzibah Menuhin (2016) (20 CD Box Set)

Yehudi Menuhin - The Menuhin Century: Complete Recordings with Hephzibah Menuhin (2016)
MP3 320 kbps | 20 CDs, 22:58:03 min | Covers included | 3,1 Gb
Genre: Classical / Label: Warner

The Complete Recordings with Hephzibah Menuhin traces Menuhin's close and inspiring relationship with his pianist sister - a distinguished artist in her own right - through studio and live performances, CD premieres, and first-time releases.
London Gabrieli Brass Ensemble, Christopher Larkin - Original 19th Century Music For Brass (1991)

London Gabrieli Brass Ensemble, Christopher Larkin - Original 19th Century Music For Brass (1991)
EAC | FLAC (image+.cue, log) | Covers Included | 71:13 | 227 MB
Genre: Classical | Label: Hyperion | Catalog: CDA66470

An enterprising and extremely well-documented record, this collection is a distinct success. I listened to it both at a properly high volume, and late in the evening at a low level, when the illusion of the brass in the distance was just as real. The opening Dvorak Fanfare looks back to earlier times. The writing for natural trumpets is designedly primitive, but the composer's allusion to the Austro-Hungarian anthem is wittily engraved in the structure, and its familiarity makes one smile.