Collection includes 16 albums by American instrumental rock band Los Straitjackets. Los Straitjackets is a Nashville based band known primarily for performing instrumental surf music.
Joseph Arthur is an American singer-songwriter and artist from Akron, Ohio. Combining poetic lyrics with a layered sonic palette, Arthur has built his reputation over the years through critically acclaimed releases and constant touring; his unique solo live performances incorporate the use of a number of distortion and loop pedals, and his shows are recorded live at the soundboard and made available to concertgoers immediately following the show on recordable media. Arthur was discovered by Peter Gabriel in the mid-'90s, and signed to Gabriel's Real World label as the first North American artist on the label's roster.
Collection includes: Sophisticated Beggar (1966); Folkjokeopus (1969); Flat, Baroque and Berserk (1970); Stormcock (1971); Valentine (1974); HQ (1975); Bullinamingvase (1977); The Unknown Soldier (1980); Once (1990); Death or Glory? (1992); The Dream Society (1998); Green Man (2000); Counter Culture (2005); The Death of God (2005); Man & Myth (2013).
Kristoffer "Kris" Kristofferson is an American country music singer, songwriter, musician, and film actor. He is known for such hits as "Me and Bobby McGee", "For the Good Times", "Sunday Mornin' Comin' Down", and "Help Me Make It Through the Night". Kristofferson is the sole writer of most of his songs, and he has collaborated with various other figures of the Nashville scene such as Shel Silverstein. In 1985, Kristofferson joined fellow country artists Waylon Jennings, Willie Nelson and Johnny Cash in forming the country music supergroup "The Highwaymen". In 2004, Kristofferson was inducted into the Country Music Hall of Fame.
Chuck Berry fanatics, your ship has come in, and it’s the Queen Mary — or maybe we should call it the Queen Maybellene. As you’d expect from the Bear Family label, which specializes in gargantuan reissues, this 16-CD, 396-song box doesn’t simply span Berry’s career, it embraces virtually every musical note the man has ever issued. You’ll find all of his released album tracks and singles, starting with an obscure 1954 recording and including everything from the Chess, Mercury and Atco labels, plus every surviving alternate take. Also here are five CDs’ worth of concert performances from 1956 to 1972.
A rewarding release… As to the Mandarin, first impressions suggest a gloved fist on Ozawa's part and a general softening of attack since [his earlier DG recording from] 1975… Ozawa is strong on sensuality - those all-pervading glissandos, the seduction games and the languidly teasing sequences that lead to the chase… As to the Concerto for Orchestra…the Bostonians' Bartókian pedigree - it was, after all, Koussevitzky who commissioned the work — guarantees a certain élan and refinement… Ozawa is best where the going gets frantic (his finale is terrific, especially at the outset, and he plays Bartok's more concise original ending)… Ozawa's virtues are intelligence, alertness and a fine ear for detail… (Gramophone [8/1995] reviewing the Bartók recordings, originally released as Philips 442783)
The two and a half years represented in this mammoth collection made up a period of great activity and development for young John Coltrane. It was a time in which he worked in the Miles Davis Quintet, then joined Thelonious Monk for his historic Five Spot engagement, and then took his place in the legendary 1958 Miles Davis Sextet. It was a time in which he grew from a somewhat promising tenor player to a supernova about to burst upon the jazz world. It was also a span during which Trane traveled with great regularity to the original New Jersey location of the Rudy Van Gelder Studio, taking part in no less than 25 lengthy Prestige recording sessions.