Music For Film And Exhibition (2007). Peter Andersson from the Cold Meat Industry act Raison D’etre presents his sound work for film and exhibition, spanning through the years 1999 to 2006. Peter has been working on several film and exhibition projects, some of these projects never went to final completion but the music was composed in almost all the cases. Music for Film and Exhibition presents a broad spectrum of the sounds and music capabilities of Peter Andersson and those familiar with any of his different music projects including Raison D’etre, Necrophorus, Atomine Elektrine, Bocksholm etc. will most probably enjoy this double album very much…
Documentary about the life and work of Paco de Lucía. Including live performances, interviews and many different moments of the life of the artist. This production, with the collaboraration of Spanish TV and European channel ARTE, shows the everyday life of the artist, the international tours and the development of Paco's own philosophy and attitude towards life and guitar. With the participation of artists such as Chick Corea and many other people from the personal sorrounding of the artist.
Alarm Will Sound's recording of Steve Reich's monumental orchestral/choral works The Desert Music and Tehillim, released on the Cantaloupe label in 2002, greatly benefits from the group's close connections with the composer: the ensemble's conductor, Alan Pierson, and several of the performers studied at the Eastman School with Brad Lubman, a conductor frequently enlisted by Reich. Also, Pierson's arrangements, which reconcile the chamber and orchestral versions that exist for both works, were prepared in close consultation with the composer; thus, this may well be the definitive recording of these pieces. Brilliantly sonorous in their climaxes – the burst of light near the end of Desert Music, the "Alleluias" that close Tehillim – the players also articulate Reich's intricate canonic textures with nimble precision. Voices and strings are always an Achilles heel within Reich's percussive textures (leading him to eliminate part doublings in favor of giving each line to a lone, amplified performer), but here the singers and strings maintain an impressive rhythmic vitality.
GREAT MUSEUMS: NEW ORLEANS: A LIVING MUSEUM OF MUSIC is an intimate look at the traditions associated with New Orleans’ music and the preservation of those traditions through the work of local musicians and educators who mentor young talent; museum curators who care for musical treasures; historians and archivists who research and document the stories; activists working to protect, heal and inspire the many musicians whose livelihoods were taken away by Katrina.