13 Pianos Live

ALTER BRIDGE Family, listen up! Can you hear the marching? The beating of the drums? One of the biggest moments of the band's career was the monumental show at London's famous O2 Arena on November 26th, 2016. That landmark performance is now captured in its entirety on two CDs.

Live at Red Rocks captures Disturbed's August 15, 2016 show at the fabled Colorado amphitheater where the band stopped during their tour in support of current album Immortalized, which has been certified Gold. The album features songs spanning Disturbed's 20-year-career, including Mainstream Rock chart hits "Down With The Sickness", "Stricken", "Inside the Fire", "Indestructible", "The Vengeful One", "The Light", and their now Platinum-certified version of Simon & Garfunkel's classic hit "The Sound of Silence".

Documentary & Live Concert is a 1980 concert by Fleetwood Mac, shot in support of their 1979 album Tusk. It was released on videotape and laserdisc in 1981 and this is taken from the laserdisc. The version of "Sara" was used by MTV to play as a music video.

For more than fifteen years, Sivert Høyem has dreamed of being allowed to play live concert in the 2,000-year-old Herod Atticus Odeon Amphitheater of Acropolis. And so is last year, on 29.09. And 02.10.2016, his dream come true: Høyem has indeed been one of the very few musicians to get permission from the Greek authorities to play two live shows in the venerable amphitheater. And on these two days, Sivert has played 10,000 enthusiastic fans. These two shows were of course also audiovisual documented, and now these unique Acropolis recordings appear as a double live album and film. 110 minutes of live material Sivert Høyem at his best. He plays 16 of his classics, covering 20 years of his career as a solo artist and lead singer of the band Madrugada. Ever since the release of Madrugada's debut album "Industrial Silence", Sivert Høyem has regularly played in Greece, creating an enthusiastic fanbase in Greece that has made such an unforgettable event possible.

espite having released classic album after classic album during his lengthy career, the best way to witness the extraordinary power ofBob Seger and his Silver Bullet Band remains to be in a live setting. Indeed, the great man’s most successful record of all has been hisstill hugely popular 1976 release, Live Bullet. This enticing set features a selection of FM radio broadcasts of live shows from Seger and his group recorded between 1974 and1983 - the period which, for most fans, was Bob’s ‘Golden Era’. Kicking off with a show played at the famous Ebbet’s Field club in Denver,CO, at the end of’74, moving to his 1980 gig from the Cobo Arena in his hometown of Detroit, MI, and culminating with a classic concertfrom Hartford.

Far East Man: Live Rarities is a 1991 bootleg CD by British singer/guitarist George Harrison. Released by the Living Legend label, it features live performances from different sources.

‘Live at the Glasgow Barrowlands’ was filmed at Glasgow’s iconic Barrowland Ballroom and on the last night of the band’s UK ‘Believers Tour’. Deacon Blue presented not only the hits of their most recent album ‘Believers’ but also played their best loved songs from their 30-year career. This unforgettable performance is their first official live product in 10 years and the band’s first ever live DVD & Blu-ray release.

The desire for freedom was handed down to Carl Carlton, when he sensed this legacy from the moment he first began playing music. Carlton’s only exposure to rock ‘n roll and rhythm ‘n blues back then was through the songs that came blasting out of an old jukebox in the only pub of his village. This was where Carlton became infected with the soul of Lee Dorsey, Otis Redding and Marvin Gaye, not to mention that British music of the Kinks, Small Faces and the Rolling Stones…

THE CLASSIC MIAMI BROADCAST FROM 1994 Following the introduction of his latest backing band, The New Power Generation, in 1991, and the subsequent release of Diamonds & Pearls the same year, followed by 1992 s infamous Love Symbol, the relationship between Prince and his label Warner Brothers was, famously, becoming increasingly strained. Feeling that Warners were trying to stifle his creativity, Prince began producing albums more rapidly in order to get out of his contractual obligations.