The ultimate blindfold test, this disc contains recorded performances of Beethoven's "Archduke" Piano Trio as well as his Variations on "Ich bin der Schneider Kakadu," but nowhere does it say who the performers are. This is, of course, unacceptable. While it is acceptable to buy a recording of a performance, it is unacceptable not to attribute the performers.
Mitsuko Uchida has been a committed exponent of Schoenberg's Piano Concerto for over a decade now. It is a work which remains controversial in its adaptation of the serial method to an almost Brahmsian harmonic palette, wedded to a formal approach that takes up the integrated design, and textural richness, of Schoenberg's pre-atonal works. Certainly in terms of the balance between soloist and orchestra, this recording clarifies the often capricious interplay to a degree previously unheard on disc (and most likely in the concert hall too).Interpretatively, it combines Pollini's dynamism, without the hectoring touch that creeps into the Adagio's climactic passages, and Brendel's lucidity, avoiding the deadpan feeling that pervades his final Giocoso.
The two works included in this album are among the most unlikely of recording combinations, but here they are, under the baton of Claudio Abbado and the BPO, collaborating with Abbado's bosom friend Pollini.
Deutsche Grammophon proudly presents the most authoritative Schubert project ever made, featuring all the masterpieces in timeless recordings plus many rare gems that manifest Schuberts genius.
This first edition comprehensively covers Schuberts vast orchestral, chamber and piano output, containing all the masterworks in definitive recordings by legendary artists: Abbado (symphonies), Kempff (piano sonatas), Melos Quartett (string quartets & string quintet the latter with Rostropovich), Pires (piano works), Gidon Kremer (violin works) Beaux Arts Trio (trios).
This will be quite a discovery for those who know the music of Bedrich Smetana only through his grand and nationalistic cycle of tone-poems, Ma Vlast, even if they are yet familiar with his more painfully intimate string quartets or his folkloristic operas. For Smetana, like most composers, needed to eat; and to do so he was happy to make his own contribution towards satisfying the seemingly insatiable appetite of the bourgeois 19th-century public for piano music that they could perform at home. Music of no great difficulty but boundless charm, these miniatures are now seldom heard and even less often recorded, and this is a shame, for works such as the Op.3 Characteristic Pieces show how the pianistic extroversion of Brahms and Liszt (who was a great admirer and supporter of the young Smetana, giving him valuable introductions to publishers) could be adapted to a domestic context, and with the particular inflection of Czech and Bohemian character, derived not only from simple and song-like melodies but also irregularly stressed dance-rhythms that the young Italian pianist Roberto Plano relishes to the full on this welcome new survey.
Essential: A masterpiece of psychedelic rock music.
GANDALF is possibly the rarest album on the Capitol label and sought after in any condition by record collectors. Originally released in 1969, reissued by Capitol on vinyl in the 90's, but they never issued it on CD (why not?). The British See For Miles label reissued it first on CD and now this Sundazed release. As with all Sundazed reissues the sound quality is excellent (considering source tapes), remastered by master reissue guru/producer Bob Irwin. This is a wonderful album, not overproduced, but with a dreamy, laid back vibe and a velvet landscape with a feminine essence that's hard to describe.