This split LP pairs a sextet led by multi-instrumentalist Sahib Shihab with another under the direction of Herbie Mann. Big names all the way around on this one. On the Shihab session, John Jenkins and Clifford Jordan round out the front line, while Hank Jones, Addison Farmer, and Dannie Richmond hold down the rhythm. Mann, on the other hand, is joined by Phil Woods, Eddie Costa, Joe Puma, Wilbur Ware, and Jerry Segal. Nothing overly surprising here, but one can expect quality performances by all.
Recorded in 1955, originally issued on LP then reissued by the Japanese label Denon in 1995, and now made available on a digitally remastered CD, Mighty Mike was the tenorman's first album as a leader. It's a set that shows a bit of stylistic ambivalence as Cuozzo and the group find themselves moving between bop and mainstream jazz. The cut that best captures the musical philosophy of this group is "Underside," an original by Ronnie Ball. If there is such a thing as polite bop, this track is it. There's nothing frenetic or groundbreaking. Rather, this is relaxed, matter-of-fact approaching cerebral jazz played by more than competent musicians.
Chet Baker (trumpet) was arguably at the peak of his prowess when captured in a quartet setting at the Masonic Temple in Ann Arbor, MI, May 9, 1954. He's joined by Russ Freeman (piano), Carson Smith (bass) and Bob Neel (drums), all of whom provide ample assistance without ever obscuring their leader's laid-back and refined style. Baker's sublime sounds also garnered notice from critics, who had placed him atop polls in both Metronome and Down Beat magazines the previous year.
There are as many flavours of jazz as there are pebbles on a beach, but the majority combine rhythmic invention with instrumental virtuosity to create a sound that can transport the listener to a different plane. Whether your ear is caught by the saxophone of Earl Bostic or Eddie Harris, the flute of Herbie Mann, Ray Charles’ effervescent keyboards (he played sax too) or the music of Cuban-born ‘King of the Mambo’ Perez Prado, whose 1958 US chart-topper ‘Patricia’ is familiar from countless movies and television ads,one thing is certain – the jazz instrumental still reigns supreme.
Everyone is familiar with his melodic, incredibly beautiful and exciting music. Paul Mauriat - one of those people who are open to everyone with the help of this wonderful world of music. For more than thirty-year history, Paul Mauriat, along with his orchestra arranged and recorded more than a thousand tunes … Here is the 10-disc collection «The Best of Paul Mauriat» released in Japan in 1994.