Features 24 bit remastering and comes with a mini-description. Recorded live at the 1971 Montreux Jazz Festival, the blistering Mongo at Montreux captures Mongo Santamaria in the absolute prime of his career, embracing all facets of his expansive musical vision for a set that is far more than the sum of its parts. Spanning from soulful Latin boogaloo grooves like "Come Candela" to psychedelic jazz renditions of pop hits like the Temptations' "Cloud Nine" to straight-up funk excursions like "Climax," Mongo at Montreux is relentlessly energetic music genetically engineered for dancing – most impressive of all is "Conversation in Drums," a virtual primer in Latin percussion.
Features the latest remastering. Includes a Japanese description, lyrics, and bonus track(s). Features original cover artwork. One of the few female pianists in 50s jazz – the great Terry Pollard, a player who's usually associated with the Detroit scene, but who works here in a hip west coast setting for Bethlehem Records! The date's got Terry's strong piano in a quintet – with Don Fagerquist on trumpet and Howard Roberts on guitar – both musicians who bring a strong sense of presence to the group passages on the date, but who are also more than willing to step aside and let Pollard really flourish on her solos during some of the album's trio tracks.
Features 24 bit remastering and comes with a mini-description. A tremendous live performance from the group co-led by Red Rodney and Ira Sullivan – two players who really bring a lot to each other's music! There's a mode here that really blows us away – a careful, sensitive approach that allows each horn player to hit their most lyrical moments – shading things in with a far richer palette of sounds than we might ever have expected. The rest of the group's a big factor for the album's sound, though – as it features the great pianist Garry Dial, who also wrote some of the tunes – plus Jay Anderson on bass and Jeff Hirschfield on drums. Rodney plays trumpet and flugelhorn, and Sullivan plays flute, flugelhorn, alto, and soprano sax – on titles that include "How Do You Know", "As Time Goes By", "Sprint", "My Son The Minstrel", and "Speak Like A Child".
Reissue with the latest 2015 remastering. Comes with liner notes. One of the hippest, hardest albums that trombonist JJ Johnson ever cut for Columbia – a session we'd rank right up there with his amazing JJ Inc record, and like that one a really cooking hardbop record that maybe even rivals the best on Blue Note and Prestige at the time! As with that gem, the strength here is really the group – not just tremendous trombone from JJ, but great work from Nat Adderley on trumpet, Bobby Jaspar on tenor and flute, Cedar Walton on piano, Spanky DeBrest on bass, and Albert Heath on drums – all working with a soaring, soulful energy that's a lot more hardbop heavy than you might expect from JJ Johnson on some of his other projects for the label.
Features 24 bit remastering and comes with a mini-description. Really beautiful work from the team of Red Rodney and Ira Sullivan – hardly the sort of stuff we might have heard from the players a decade or two before – and a sophisticated batch of tunes that has them stretching out in rich musical directions! There's little of the boppish roots of either player here – and instead, the album mostly features inspiring jazz compositions from Garry Dial – the pianist in the group, and a real genius with color, tone, and timing. Dial's tunes dominate most of the record, and they really set the group on a great footing – horn trading between Rodney's trumpet and Sullivan's soprano, flute, and flugelhorn – supported with complicated changes from the core rhythm trio.