Concord Music Group will release five new titles in its Original Jazz Classics Remasters series on September 17, 2013. Enhanced by 24-bit remastering by Joe Tarantino, bonus tracks (some previously unreleased), and new liner notes to provide historical context to the originally released material, the series celebrates the 40th anniversary of Pablo Records, the prolific Beverly Hills-based label that showcased some of the most influential jazz artists and recordings of the 1970s and '80s.
Masterpieces is a compilation album by Bob Dylan. The 3-LP set was released in Japan and Australia in anticipation of his 1978 tour. Primarily a greatest hits collection spanning Dylan's career up that point, the album features three previously unreleased tracks, including "Rita May", "George Jackson" and a unique (1962) outtake version of "Mixed Up Confusion". It also includes a live performance of "Just Like Tom Thumb's Blues" from Dylan's 1966 World Tour, which was first released as the B-side of his "I Want You" single in 1966 and later appeared on Self Portrait. Masterpieces was reissued on CD in 1991 by Sony Music (Cat. No. 4624489), but is no longer in print.
This is the third compilation from the critically acclaimed 'Closer to the Music' sampler series. You will listen to recent recordings of known artists like Sara K. , Allan Taylor, Eugene Ruffolo and David Munyon , but also to new Stockfisch-discoveries like Dennis Kolen (NL), Paul O'Brien (CDN), BEOGA (IRL), Carl & Parissa (AUS), Beo Brockhausen (D) and more. These recordings, as any listener will experience, exemplify once again the Stockfisch philosophy: closer to the music!
In this 3rd volume, Zacharias’ Mozart becomes essential, if not quintessential, in a universe for piano & concerto that is fascinating. The Concerto for Piano & Orchestra #17 in G major KV 453 dates from 1784, & inspired the musician Alfred Einstein to say: “In a friendly key are hidden many mysterious smiles & painful wounds – words cannot be found to describe the permanent irisation of feelings in the 1st movement, the passionate interiority of the 2nd.”
More and more music lovers are discovering the unique sound of a vinyl record. Stockfisch thought about whether it is possible just to make the sound creation factors of a vinyl record audible. A pressed record however, has many artifacts arising from the vinyl pressing i.e. distortion, rumble, groove noise, vertical and lateral aberrations, clicks, etc. and other artifacts that are detrimental to a good sound. Stockfisch calls their new production method 'DMM-CD'. With this solution, they can eradicate the aforementioned disadvantages of the pressed record - and yet still maintain the typical vinyl sound.