For turning out reliable recordings of the standard repertoire, it's hard to beat Neeme Järvi and the Gothenburg Symphony Orchestra because their releases on BIS are always highly enjoyable, and they are dependable for accurate renditions that are genuinely exciting. The six-CD set of Pyotr Il'yich Tchaikovsky's symphonies Nos. 1-6, the Serenade for strings, Romeo and Juliet, Capriccio Italien, Francesca da Rimini, and other less familiar orchestral works, is a bargain that shouldn't be missed, for the beginning classical fan has everything necessary to begin appreciating the Russian master, while connoisseurs will find unexpected surprises in the obscure selections.
David Atherton made a fine reputation for himself as a contemporary music conductor back in his salad days with the London Sinfonietta, nowhere more so than in his three-disc (now two-CD) set of music by Kurt Weill. He certainly hasn’t lost his magic touch in the intervening years. These performances of the two symphonies sweep the (not very full) board. Swift, lean, incisive, and always exciting, Atherton reveals all of this music’s anger, irony, and bittersweet lyricism without a trace of histrionics or self-indulgence. Indeed, a certain coolness is part of the point too. And so in the marvelous Second Symphony, Atherton catches the neo-classical temper of its outer movements with impeccable wit and grace, making the passionate intensity of the magnificent central slow movement all the more shocking as a result.
You will probably be as incredulous as I was to learn that the greatest cycle of Mahler symphonies comes not from any of the usual suspects - Abbado, Bernstein, Chially, Haitink, Kubelik, Rattle, Sinopoli, Solti, Tennstedt - but from the unsung Gary Bertini, who spent the better part of his career as music director of the Cologne Radio Symphony Orchestra. Unlike any of those more publicized sets, each of which includes a misfire or two, Bertini is consistently successful from first to last; his performance of each of these works can stand comparison with the very best available.
Having heard the sixth symphony on a radio broadcast (albeit missing the second movement because of problems at the station), I decided to go out on a limb and buy the complete symphonies, being completely unfamiliar with Atterberg.
It was a decision I do not regret.
Leopold Anthony Stokowski was a British conductor of Polish heritage. One of the leading conductors of the early and mid-20th Century, he is best known for his long association with the Philadelphia Orchestra and for appearing in the film Fantasia. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed…
…Returning to Glasgow, in 1959 Gibson became the first Scottish principal conductor and artistic director of the Royal Scottish National Orchestra, a post he held until 1984, to date longer than any other conductor. Under his leadership the orchestra built an international reputation through recordings and foreign tours and appeared regularly in the Edinburgh International Festival and in London at The Proms…
Sir Georg Solti, KBE (21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor. He holds the record for having received the most Grammy Awards, having personally won 31, including the Grammy Lifetime Achievement Award. He is widely regarded as one of the greatest conductors of the 20th century.