Woody Guthrie was born on July 14th, 1912 in Okemah, Oklahoma. Over the decades, his songs have run around the world like a fast train on a well oiled track. They've become the folk song standards of the nation, known and performed in many languages throughout the world. Woody Guthrie at 100! Live at the Kennedy Center, is the CD/ DVD centennial celebration of the birth of America's greatest folk singer, Woody Guthrie. John Mellencamp, Jackson Browne, Tom Morello, Donovan, Ani DiFranco, Rosanne Cash, Old Crow Medicine Show and others perform many of Guthrie's classics along with recently recorded lyrics from the Woody Guthrie Archives.
John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987 it's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words "fusion," "jazz-rock" and/or Miles Davis, in any permutation/combination (not that there's anything wrong with that). Those a little further in the know might also be aware of his longstanding investigation into the nexus of eastern and western music with his Indo-collaboration, Shakti.
UMMAGUMMA is a double album released in 1969. The first disc is a live recording, the second one contains individual compositions by each member of the band. …
"(We Ain't Got) Nothin' Yet" is extraordinary and magical; like the Box Tops' "The Letter," it's one of those little two-minute blasts of pop which brought the transistor radio to life and which is the proverbial breath of fresh air on oldies radio stations daring enough to play psychedelia. Psychedelic Lollipop is the real thing; the Blues Magoos on the LP cover look like Captain Kirk abandoned them on some forgotten Star Trek planet, and the music inside the sleeve is authentic acid rock. They stretch John D. Loudermilk's "Tobacco Road" across four-and-a-half Seeds-style minutes, obliterating the Nashville Teens' 1964 hit recording in the process.